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1、InternationalJournalofAsianStudies,8,1(2011),pp.89–95©CambridgeUniversityPress,2011doi:10.1017/S147959141000029Xreviewarticletheconsciousnessofthepastinthecreativityofthepresent:moderntibetanliteratureandsocialchangeLamaJabbUniversityofOxfordE-maillama.jabb@orinst.ox.ac.ukModernTibetanLite
2、ratureandSocialChange.EditedbyLauranR.HartleyandPatriciaSchiaffini-Vedani.Durham,N.C.:DukeUniversityPress,2008.Pp.424.ISBN10:0822342774;13:780822342779.Keywords:Tibetanliterature;Tibetanpoetry;DhondupGyal;SangdhorWhenschooledtoopoorlyinverse‘TsprematuretospeakofTibetanStudies;Withtooinadeq
3、uateagraspofverseHastennottocensureworksofTibetanscholars1ThussingsSangdhorinametricalpoeminpraiseofTibetanversification,counteringananti-versesentimentthatisprevalentonthecontemporaryTibetanliteraryscene.Sincetheflourishingoffreeverseforminthe1980s,thankstothepioneeringworksofDhondupGyal,
4、manyTibetanwritershaveattackedmetricalcompositionforitsperceivedinflexible,archaicandinadaptableformanduniformityofcontent.Sangdhor,oneofthemosticono-clasticandforward-thinkingintellectualswritinginTibetantoday,vehementlyrefutessuchastanceonthegroundsthatthebulkofgreatTibetanworks,literary
5、orotherwise,aresetinverse.Tounderscorehispointhewritesthecitedpoemina“leapingandflying”styleofthemgur(‘poem-songs’)genre.Infact,mostofhismanyinnovativepoemsarewrit-teninaneclecticstyledrawingonTibet’srichliterarytradition,Buddhisttexts,oralsourcesandcontemporarywritings.Theircontentisequal
6、lydiverseyetmostofallcurrent.Itisinfusedwithsocialandreligiouscriticism,themesofromanceanderoticism,criticallit-erarycommentaryandcurrentTibetanaffairs.Hispoems,likethoseofmanyotherwriters,showthatmeteredpoetryisverymuchapartofmodernTibetanliterature.Ashedrawsonclassicalliteratureandindige
7、nousoraltraditionsforhisownliteraryinnovation,toborrow1Sangdhor,rdorjeglularnam’gyurzadmtha’med(‘InexhaustibleAretheFormsofVijaraSongs’,accessedonline12February2010).ThisandmanyofSangdhor’snewpoemscanbeaccessedathiswebsite:www.sangdhor.com.Allthetranslationsin
