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1、LeonardodaVinciContentLeonardo‘sLifeLeonardotheArtistLeonardotheLegendLeonardodaVinci1452.4.15~1519.5.2DaVincispentmostofhischildhoodinhisgrandpa'sfarmland.Helovednatureaswellasart.TheyoungDaVinciwasbrilliantandintelligentandhehadvariousinterestssuchassingi
2、ngandplayingflute.Heshowedhisgreattalentforpaintingwhenhewasveryyoung.AndreadelVerrocchioDaVinci'sfathersupportedhiminpaintingandsenthimtoFlorence(佛罗伦萨),whowas14yearsoldthen,andlearnedfromthegreatartistAndreadelVerrocchio(安德烈.德尔.韦罗基奥).Verrocchio'shomeisthef
3、amouscentreofartinthatarea,andmanyhumanistsatthattimewouldliketopayavisitthere,fromwhichDaVincimadeacquaintanceswithasetofwell-knownartists,humanistsandscientists.From1482to1499,DaVincienjoyedhismostpeacefultimeinartcareerinMilan.Toavoidthewar,DaVincileftMi
4、lantoothercitylikeVenice(威尼斯),anddidsomestudyinscience.In1500,DaVinciwentbacktoFlorenceandbeganhiscreationofthegreatpaintingMonaLisa.TheprototypeofthepaintingisthewifeofVeniceDuke(威尼斯公爵夫人).AlongwithTheLastSupperandTheVirginoftheRocks,MonaLisaSmilewasanother
5、masterpieceofDaVinci.TheLastSupperTheVirginoftheRocks《岩间圣母》HediedinCrooksmanor(克鲁克斯庄园)，1915，outofdisease.In1515,DaVincimovedtoFranceandsettleddown.Inhisoldage,heseldompaintedbutwasdedicatedinstudyingscience,rangingfromphysicstoanatomy,hehadmadegreatcontribu
6、tions.LeonardotheArtistLeonardo’sdesiretopaintthingsrealisticallywasboldandfresh,andeventuallybecamethestandardforpainterswhofollowedinthe16thcenturyWentbeyondhisteachingbymakingascientificstudyoflightandshadowinnatureObjectswerenotcomprisedofoutlines,butwe
7、reactually3-DbodiesdefinedbylightandshadowKnownaschiaroscuro(明暗部分的处理法),thistechniquegavehispaintingsthesoft,lifelikequalitythatmadeolderpaintingslook“cartoony”andflatLeonardo’sDrawings"BaptismofChrist",1472-1475,assistedwithhismasterVerrocchioNeverfinishedN
8、owintheVaticanLadywithanErmine(1485-1490)TheBenoisMadonna,1478Annunciation(1475–1480)—Uffizi,isthoughttobeLeonardo'searliestcompletework“MonaLisa”(1503-1505/1507)“ThevirginoftheRocks”,1483-86Milan(1482
