james_joyce_araby_主题情节人物与背景分析

james_joyce_araby_主题情节人物与背景分析

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时间:2019-03-05

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1、"Araby"BackgroundsIntroductionIreland'smajorreligion,RomanCatholicism,dominatedIrishculture,asitcontinuestodotodayalthoughtoalesserextent.ManyfamiliessenttheirchildrentoschoolsrunbyJesuitpriests(liketheonethenarratorinattends)andconventschoolsrunbynuns(liketheo

2、neMangan'ssisterattends).CatholicismisoftenseenasasourceofthefrequentconflictinIrishculturebetweensensualityandasceticism,aconflictthatfiguresprominentlyinJoyce'sautobiographicalnovelAPortraitoftheArtistasaYoungMan.Inmanyways,Catholicism,particularlyaspracticed

3、attheturnofthecentury,wasanextremelysensuousreligion,emphasizingintensepersonalspiritualexperienceandsurroundingitselfwithsuchrichtrappingsasbeautifulchurches,elegantpaintingsandstatues,otherworldlymusic,andsumptuousvestmentsandaltardecorations.Ontheotherhand,t

4、heChurch'sofficialattitudetowardenjoymentofthesensesandparticularlytowardsexualitywassevereandrestrictive.TheidealwomanwastheVirginMary,whomiraculouslycombinedvirginalpuritywithmaternity.Motherhoodwasexalted,butanyenjoymentofsexuality,eveninmarriage,wasconsider

5、edasin,aswerethepracticeofbirthcontrolandabortion.Theinabilitytoreconcilethespiritualandsensualaspectsof资料humannaturecanbeseenintheboy'sfeelingstowardMangan'ssisterinHeimagineshisfeelingsforherasa"chalice"--asacredreligiousobject--andsoworshipfulishisattitudeth

6、athehesitateseventospeaktoher.Yethismemoriesofherfocusalmostexclusivelyonherbody--herfiguresilhouettedbythelight,the"softropeofherhair,""thewhitecurveofherneck,"theborderofherpetticoat.Eventheimageofthechaliceisambivalent,sinceitscup-likeshapeandfunctionsuggest

7、sasexualconnotation.Theboyneverresolvesthisconflictbetweenspiritualityandsensuality.Instead,whenconfrontedwiththetawdrinessofashopgirl'sflirtationatthebazaar,heabruptlydismissesallhisfeelingsasmere"vanity."Introductionofthestoryandtheauthor"Araby"isoneoffifteen

8、shortstoriesthattogethermakeupJamesJoyce'scollection,Dubliners.AlthoughJoycewrotethestoriesbetween1904and1906,theywerenotpublisheduntil1914.DublinerspaintsaportraitoflifeinD

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