james_joyce_araby_主题情节人物背景分析

james_joyce_araby_主题情节人物背景分析

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1、.."Araby"BackgroundsIntroductionIreland'smajorreligion,RomanCatholicism,dominatedIrishculture,asitcontinuestodotodayalthoughtoalesserextent.ManyfamiliessenttheirchildrentoschoolsrunbyJesuitpriests(liketheonethenarratorinattends)andconventschoolsrunbynuns(liketh

2、eoneMangan'ssisterattends).CatholicismisoftenseenasasourceofthefrequentconflictinIrishculturebetweensensualityandasceticism,aconflictthatfiguresprominentlyinJoyce'sautobiographicalnovelAPortraitoftheArtistasaYoungMan.Inmanyways,Catholicism,particularlyaspractic

3、edattheturnofthecentury,wasanextremelysensuousreligion,emphasizingintensepersonalspiritualexperienceandsurroundingitselfwithsuchrichtrappingsasbeautifulchurches,elegantpaintingsandstatues,otherworldlymusic,andsumptuousvestmentsandaltardecorations.Ontheotherhand

4、,theChurch'sofficialattitudetowardenjoymentofthesensesandparticularlytowardsexualitywassevereandrestrictive.TheidealwomanwastheVirginMary,whomiraculouslycombinedvirginalpuritywithmaternity.Motherhoodwasexalted,butanyenjoymentofsexuality,eveninmarriage,wasconsid

5、eredasin,aswerethepracticeofbirthcontrolandabortion.Theinabilitytoreconcilethespiritualandsensualaspectsofhumannaturecanbeseenintheboy'sfeelingstowardMangan'ssisterinHeimagineshisfeelingsforherasa"chalice"--asacredreligiousobject--andsoworshipfulishisattitudeth

6、athehesitateseventospeaktoher.Yethismemoriesofherfocusalmostexclusivelyonherbody--herfiguresilhouettedbythelight,the"softropeofherhair,""thewhitecurveofherneck,"theborderofherpetticoat.Eventheimageofthechaliceisambivalent,sinceitscup-likeshapeandfunctionsuggest

7、sasexualconnotation.Theboyneverresolvesthisconflictbetweenspiritualityandsensuality.Instead,whenconfrontedwiththetawdrinessofashopgirl'sflirtationatthebazaar,heabruptlydismissesallhisfeelingsasmere"vanity."Introductionofthestoryandtheauthor"Araby"isoneoffifteen

8、shortstoriesthattogethermakeupJamesJoyce'scollection,Dubliners.AlthoughJoycewrotethestoriesbetween1904and1906,theywerenotpublisheduntil1914.DublinerspaintsaportraitoflifeinD

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