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1、IntensityandItsAudiences:NotestowardsaFeministPerspectiveontheKantianSublimeTimothyGouldTheJournalofAestheticsandArtCriticism,Vol.48,No.4,FeminismandTraditionalAesthetics.(Autumn,1990),pp.305-315.StableURL:http://links.jstor.org/sici?sici=0021-8529%28199023%2948%3A4%3C305%3AIAIA
2、NT%3E2.0.CO%3B2-RTheJournalofAestheticsandArtCriticismiscurrentlypublishedbyTheAmericanSocietyforAesthetics.YouruseoftheJSTORarchiveindicatesyouracceptanceofJSTOR'sTermsandConditionsofUse,availableathttp://www.jstor.org/about/terms.html.JSTOR'sTermsandConditionsofUseprovides,inp
3、art,thatunlessyouhaveobtainedpriorpermission,youmaynotdownloadanentireissueofajournalormultiplecopiesofarticles,andyoumayusecontentintheJSTORarchiveonlyforyourpersonal,non-commercialuse.Pleasecontactthepublisherregardinganyfurtheruseofthiswork.Publishercontactinformationmaybeobt
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5、rmoreinformationregardingJSTOR,pleasecontactsupport@jstor.org.http://www.jstor.orgFriApr2000:01:132007TIMOTHYGOULDIntensityandItsAudiences:NotesTowardsAFeministPerspectiveontheKantianSublimeHowdoesonestandtobeholdthesublime?-WallaceStevens,"TheAmericanSublime"Itisbecauseherappet
6、iteforimmediacyissohugethatshefeelssopowerfullytheimpossibilityofdirectingitatalistener-evenatareader.Herhungerfordirectlanguageturnsintoasenseofknowledge,asuppuratingconsciousnessofpossessingsomethingdangeroustothoseabouther.Thisistheprecisebreedinggroundoftheunspeakable.Theuns
7、peakableiswilled-ithasnot,thatistosay.apre-existentcontentthatisitselfalreadyunspeakable-butitsgratuitousnessisgroundedin,isrenderedvisibleinthecolorsof,theindividualobsessionandtheobsessionoftheage.-EveKosofskySedgwickonLucySnoweinWllette'Thegoalofthispaperistobeginaprocessofre
8、-Ishallbeginbyoutliningbrieflythefirsttypeasses
