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1、陶瓷“婴戏图”的演变与启示-美术论文陶瓷“婴戏图”的演变与启示崔琴琴《婴戏图》是陶瓷装饰中常见的传统题材,有着深刻的社会形态和思想文化的背景。以小孩为主要绘画对象,以表现童真为主要目的,所以画面丰富,形态有趣。本文对陶瓷婴戏图纹饰在历朝历代的演变作概要的阐述,并探讨婴戏图在当今时代的创新以及新的发展趋势带来的启示。《Babyplayfigure》isthetraditionalcommonthemeamongceramicdecoration,itshasaprofoundsocialandculturalbackgroundform.Childreni
2、sthemainpaintingobject,topresenttheirchildhoodasthemainpurpose,sothepictureisrich,thefigureisfunny.Nowwemainlygettheceramicsgraininacomprehensivedescriptionoftheevolutionofthefeudaldynasties,indicatingthebabyplayfigureintodayacute;seraofinnovation,andthenewdevelopmenttrendofthe陶瓷
3、“婴戏图”的演变与启示-美术论文陶瓷“婴戏图”的演变与启示崔琴琴《婴戏图》是陶瓷装饰中常见的传统题材,有着深刻的社会形态和思想文化的背景。以小孩为主要绘画对象,以表现童真为主要目的,所以画面丰富,形态有趣。本文对陶瓷婴戏图纹饰在历朝历代的演变作概要的阐述,并探讨婴戏图在当今时代的创新以及新的发展趋势带来的启示。《Babyplayfigure》isthetraditionalcommonthemeamongceramicdecoration,itshasaprofoundsocialandculturalbackgroundform.Childrenist
4、hemainpaintingobject,topresenttheirchildhoodasthemainpurpose,sothepictureisrich,thefigureisfunny.Nowwemainlygettheceramicsgraininacomprehensivedescriptionoftheevolutionofthefeudaldynasties,indicatingthebabyplayfigureintodayacute;seraofinnovation,andthenewdevelopmenttrendofthe陶瓷“婴
5、戏图”的演变与启示-美术论文陶瓷“婴戏图”的演变与启示崔琴琴《婴戏图》是陶瓷装饰中常见的传统题材,有着深刻的社会形态和思想文化的背景。以小孩为主要绘画对象,以表现童真为主要目的,所以画面丰富,形态有趣。本文对陶瓷婴戏图纹饰在历朝历代的演变作概要的阐述,并探讨婴戏图在当今时代的创新以及新的发展趋势带来的启示。《Babyplayfigure》isthetraditionalcommonthemeamongceramicdecoration,itshasaprofoundsocialandculturalbackgroundform.Childrenisthe
6、mainpaintingobject,topresenttheirchildhoodasthemainpurpose,sothepictureisrich,thefigureisfunny.Nowwemainlygettheceramicsgraininacomprehensivedescriptionoftheevolutionofthefeudaldynasties,indicatingthebabyplayfigureintodayacute;seraofinnovation,andthenewdevelopmenttrendofthe陶瓷“婴戏图
7、”的演变与启示-美术论文陶瓷“婴戏图”的演变与启示崔琴琴《婴戏图》是陶瓷装饰中常见的传统题材,有着深刻的社会形态和思想文化的背景。以小孩为主要绘画对象,以表现童真为主要目的,所以画面丰富,形态有趣。本文对陶瓷婴戏图纹饰在历朝历代的演变作概要的阐述,并探讨婴戏图在当今时代的创新以及新的发展趋势带来的启示。《Babyplayfigure》isthetraditionalcommonthemeamongceramicdecoration,itshasaprofoundsocialandculturalbackgroundform.Childrenisthema
8、inpaintingobject,topresenttheirchildhood