第六代电影在中国电影市场的生存空间

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1、The1ivingspaceofthesixthgenerationfilms●一●●^●o●‘1nCnlneSet111313arKetMajot：IntangiblecultufalheritageName：BaiYunSuI；rv’or：GaoX‘aokangbuper1sor1aoKang：ABSTRACTsixthgenerationChinesef．ImsareuniquefortheirsurvivalandgrowthasaminorityintheChinesef．Immarketeve

2、rsincetheirbirthintheearly1990s．Withabackgroundofthemostopen—mindedandmulti—componentChinesecultureofthepastadozenyears，andwiththeirfilm—shootingbeginningunderthemostcomplicatedmixedcircumstancesoftemptationsandpressure，thesixthgenerationdirectorsasagroup

3、havetakenuptheavant-gardemarginfeaturingauniqueandpioneeringfilmconceptandimage．Sincetheircomingintobeing。thesixthgenerationdirectorsttakingasecretrole．havebeenshootingf．ImsbeyondtheboundariesofthesystemofChinesefilms，winninginternationalrewardswhilebeing

4、deprivedoftheinlandpublicshow．Afterdisinhibitionin2005，f．

5、mslikeJiaZhangke’SWorld，GuChangwei’SPeacockandWangXiaoshuai’SQinghongwereshownpubliclyinChina，buttheboxofficeearningscouldhardlycompetewiththatofthecommercialf．Ims．Thishasfinallydrawntothemtheatten

6、tionfromtheChinesef．Imcircle．Basedonpreviousstudies，andfromtheperspectiveofthesixthgenerationdirectors’growthbackgroundandtheartisticfeaturesofthesixthgenerationfilms，thisthesisanalyzesandelaboratesonthecurrentlivingsituationanddilemmaofthesixthgeneration

7、filmsinChina，andalsosummarizestheirmeasuresonpromotingtheinlandsystemofmotionpicturepresentation。includingtheirmarketizationlarthouses。andartsactivities，etc．Thisthesisalsoanalyzestheiradvantagesandlimitationsbyadoptinginterviewsandsurveysconcerningthem，an

8、dexploreshowChineseartfilms，withthesixthgenerationfilmsasonerepresentative，canexpandtheirlivingspaceintheinlandChinesefilmmarket．Keywords：thesixthgenerationdirectors，thesixthgenerationfilms，thecurrentlivingsituation，marketization，livingspaceV目录导言⋯⋯⋯⋯⋯⋯⋯⋯⋯

9、⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯一1一选题的意义和价值⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯1二文献综述⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯2第一章第六代电影的兴起⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯7第一节关于第六代的命名⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯7第二节第六代导演的成长经历与环境⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯。12第三节第六代电影的艺术特征⋯⋯⋯⋯⋯