浅析莫迪里阿尼绘画风格探析——“古典”和“现代”碰撞下人文情怀论文

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1、摘要第一次世界大战前后，在巴黎，现代艺术运动打破传统的束缚，开始蓬勃发展。作为二十世纪最为著名的艺术家之一莫迪里阿尼置身于任何先锋艺术流派之外，他坚持传统的艺术实践，将古典主义与现代艺术相融合，从而铸造了他理想化的艺术形式。在莫迪里阿尼短暂的一生中，没有静物画作传世，除四幅风景画之外，人物肖像和女性裸像几乎构成了他艺术的全部。本文试图以“人文情怀”为切入点，借助对比分析和归纳的方法对莫迪里阿尼的绘画作品进行观察和研究，以此梳理其画作独具匠心的艺术风格及精神内涵。关键词：莫迪里阿尼；传统艺术；现代艺术；人文情怀AbstractBeforeandduringWroddW打I，developm

2、entofmodemartstartedtobloominparis，breakingfreeofthetraditionalshackles．Modigliani，oneofthemostfamousartistsinthetwentiethcentry,however,seemedtostayoutofsuchtrendofavant-garde．Heinsistedontraditionalartpracticeandfinallydevelopedanidealartformwhichcombinedclassicismandmodernist．Inhisveryshortlif

3、e，Modiglianiseldominvolvedhimselfinpaintingsofstilllife．Instead，itWasportraitureandnudethatcomposedhisentireoeuvre、析monlyfourlandscapes．Consideringallwhatmentionedabove，thisthesistriedtosummarizethedistinctiveartformsdevelopedbyModiglianiandtoillustratetheircorrespondingspiritualcontentbasedonobs

4、ervationofModigliani’Sworksthroughcomparisonandinductiveanalysis．Keywords：Modigliani；Traditionalart；Modemart；HumanismII目录中文摘要··············一一一””一一一一”一一”一”一一一一”．．一·I英文摘要········································一一一一一一”一··II录·····················-····················--·············III引言··············

5、·············································11莫迪里阿尼的意大利犹太世俗背景····························一一一32莫迪里阿尼艺术风格的传承与反叛···································52．1意大利传统艺术的学习···················一一一一一一一”一一一52．2由传统走向反叛········································一一一·72．2．1现代艺术流派的影响··········--··························

6、·72．2．2非洲雕刻和原始艺术的影响·································日3莫迪里阿尼的人文情怀····································一“一一123．1对人物题材的热衷············································133．2肖像画——对人物性格的洞悉和自我体验····-············一一一·153·2·l对人物性格的洞悉······································163·2·2自省中的生命体验························

7、··············183．3、女性裸像——古典愉悦下的直观性欲···························203·3·1对人体的赞美——古典的愉悦····························203·3·2抽象与现实的张力——直观的性欲·-·····················22结语·················”···············””-·············”····27参考