从戏剧文化看中西方文化差异论文（设计）.doc

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1、AStudyofSino-WesternCulturalDifferencesfromthePerspectiveofDramaAbstract：Chinesetraditionaloperahasgreatdifferencewithwesterndrama.IntheWesternrealisticdrama，thebasiclawofdramacreatingisdramaticconflictwheresuchfeatureslie.Anditisdramaticconflictthatmakesaudiencenervousness,expectingandworryingab

2、outthefateofthecharactersintheplay.ButaccordingtothetheoryoftraditionalChineseoperas，suchfeaturesaretheexpressofthefervorofcharacters.Onlywhenauthorsportraytherealfeelingscantheactorsandactressdisplaythemandcantheaudiencebeaffected.Itisonthebasisofthefeelingsthatauthors，actorsandaudienceachievegr

3、eatunity.ThispaperfocusesonthedifferenceinChineseoperaandwesterndramainmanyaspects,tryingtomakeacomparisonofthem.Keywords:westerndrama;Chineseopera;culturedifference;从戏剧文化看中西方文化差异摘要：屮国传统戏剧和西方写实戏剧由于体系之不同，因此，两者的戏剧性因素也随之不同。西方写实戏剧以冲突为戏剧创作的基本规律，在观众紧张、期待、为剧中人物命运而担忧的强烈情绪中产生其戏剧性。我国传统的戏剧理论则认为戏剧的戏剧性是人物激情的抒

4、发，作家只有写出了真情，演员冰能演出真情，观众方能为情所动。作家、演员、观众三荠正是从“情”的基础上，在剧场内获得了高度的统一。本文从西方戏剧和中国戏剧的差异出发，力图做一个戏剧性的对比。关键词：西方戏剧；中国戏剧；文化差异；LIntroductionBackgroundoftheresearchThehistoryofdramaisacontinuouslydevelopinghistory，whichmakesthedramaneedmoreabsorbingandupdatinginanywhere.Beforethechannelofcommunicationbetweenthe

5、WestandtheEastwasopen,thewesternandeasterndramasadvancedonitsownway.Whenthechannelisbuiltup，withthecommunicationbetweentheWestandtheEast，theybothabsorbmuchofthefrontiercultureandart.Itwasalmostinthe17thcenturywhenthedramacommunicationstarted,whichnowpromotesthemeritofbothcultureandartindrama.When

6、inthe20thcentury,withthebigtrendofthespreadofWesterninfluencesontheEast，dramasthrivedtheirbleedingwayswhichledtothemodernizationofdramaintheworld.InChina，thetransitionfromfeudalismtosocialismoccurredlastcentury.Andthetransitionfromclassictomodernshouldalsobeinthelastcentury.Necessityandpurposeoft

7、hestudyTheworldisgettingsmallerwiththeincreasingexchangesinalmosteveryfield.Peoplehavedifferentlanguageswhichbringdifficultiesintheircommunication.Translatorsserveasabridgeforcommunication.Theytranslatenotonlybetweenla