莫扎特歌剧《女人心》中黛丝碧娜咏叹调的形象化处理——以咏叹调《为了忠实的梦想》为例

《莫扎特歌剧《女人心》中黛丝碧娜咏叹调的形象化处理——以咏叹调《为了忠实的梦想》为例》由会员上传分享，免费在线阅读，更多相关内容在学术论文-天天文库。

1、培养类型□学术学位□专业学位√20131705039学号莫扎特歌剧《女人心》中黛丝碧娜咏叹调的形象化处理——以咏叹调《为了忠实的梦想》为例马金爽学位论文独创性声明本人郑重声明：所提交的学位论文《莫扎特歌剧<女人心>中黛丝碧娜咏叹调的形象化处理——以咏叹调<为了忠实的梦想为例>》是本人在导师的指导下独立开展研究所取得的成果。本人严格遵守国家教育部颁布的《高等学校哲学社会科学学术规范（试行）》，除文中已经注明引用的内容外，本文不含其他个人或集体已经发表或撰写过的研究成果，也不含为获得武汉音乐学院或其它教育机构的学位证书

2、而使用过的材料。对本文的研究做出重要贡献的个人和集体，均已在文中以明确方式标明。本人承担本声明的法律责任。论文作者签名：导师签名：日期：日期：年年月月日日学位论文使用授权书本文作者完全了解武汉音乐学院有关保留使用学位论文的规定，即武汉音乐学院有权保留向有关部门或机构送交本院硕士论文的复印件和磁盘，允许论文被查阅和借阅。本人授权武汉音乐学院可以将学位论文的全部或部分内容编入有关数据库进行检索，可以采用影印、缩印或扫描等复制手段保存、汇编学位论文。（保密的学位论文在解密后使用本授权书）论文作者签名：导师签名：日期：日期

3、：年年月月日日目录摘要·········································································································1Abstract·····································································································2引言·······························

4、··········································································3第一章莫扎特的喜歌剧概述·········································································5第一节莫扎特的喜歌剧··········································································5第二节莫扎特喜歌剧《女人心》

5、简介························································7第二章咏叹调《为了忠实的梦想》与黛丝碧娜形象的关联··································9第一节音乐结构与情节的关联······················································································9第二节音乐的各要素与形象的关联··························

6、··················································10第三章咏叹调《为了忠实的梦想》的演唱处理···············································16第一节形象特征性旋律的演唱····················································································16第二节重难点处理································

7、·······································································17第三节与伴奏的合作···································································································19结语···········································································

8、····························21参考文献·································································································22武汉音乐学院硕士研究生学位论文马金爽：《莫扎特歌剧<女人心>中黛丝碧娜咏叹调的形象化处理——以