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1、李渔《闲情偶记》分析（TheanalysisofLiYuleisureI）"Xianqingouji"Chinesedramatheorymonographs,isChina'sfirstsystemofoperaworks.QingDynasty,LiYu,essays.Kangxitenyears(1671)afterthecompletepublication,"Wenganincomestatement"."Xianqingouji"includeslyrics,exercises,soundroom,b
2、edroom,playing,foodanddrink,plantingandmaintenanceetc.8,contentismorecomplex,dramatheory,landscapearchitectureintheview,awayofkeepinggoodhealth.Referstotheoperatheory","only"music","exercises"soundvolume,sopeopledon'tcutthearticle,"LiLiwengquhua"series.LiYule
3、arnedfrompredecessorssuchasWangJide"Melody"intheory,practicerelatedtotheoperacreation,andcombinedwithhisowncreativeexperience,theestablishmentofacompletesetofoperatheory,itsdepthandbreadthtoChineseclassicaloperatheorypeak,setamilepostfordramacriticismChineseh
4、istoryandthehistoryofliterarycriticism.LiYu'soperatheoryisbasedonstagepractice,andthuscanrevealthegeneralrulesofoperacreation.Hesaid,"thelyrics,forthedebut,criticizedJinShengtanon"theWestChamber"istheliteratiatthedeskplayofthe"West",isnottheactorplayingthe"We
5、st".LiYuputforwardthe"structurefirst"proposition,withlifemeaning,conceptionandlayout,thestructureinthefirstplace,followedbythe"secondwords","rhythmofthird","fourthsets","Kehunfifth","sixthpattern",comprehensivediscussesmanyproblemsinthecreationoftheopera.Thed
6、iscussionofthestructure,languageandthemeisveryincisive.LiYuputforwardtheprincipleof"structurefirst".Atthesametime,heputforwardasetoftheories,suchas"settingupthemind","reducingtheclue"and"sewingthedensethread",etc.,whichweredirectedagainsttheillsofthestageofth
7、eoperaatthattime.LiYuadvocatedtheknitstructureandplot,organizedaseamlessheavenlyrobenotonlyhashightheoreticalvalue,whichatthetime,andstillhastheartisticpracticesignificance.Hethoughtaboutlanguagefeaturestogiveitthestageart,isfortheaudienceratherthantoseethede
8、skwork,underthisprinciple,heputforwardthesongshouldbeyoursignificantshallow,dullandheavymachinethatavoidpackingring,shouldbelikespokenlanguage,onepersonsaidShawdon'tmakethesame;theexpensi
