我的具象绘画观—具象和具象绘画没有关系

《我的具象绘画观—具象和具象绘画没有关系》由会员上传分享，免费在线阅读，更多相关内容在学术论文-天天文库。

1、提要具象一直以来都影响着我们。抽象艺术出现之前，几乎所有的艺术形式都是具象的。今天有太多的人认为具象绘画会终结，但具象绘画并没有终结，它一次又一次的幸免遇难，它总是存活在艺术家的笔下。本文围绕具象绘画来谈论，通过文献研究法和对比分析法，参考大量艺术家的画作并且比较分析，得出具象绘画从古代绘画到现代再到后现代一直在变化，具象绘画本身一直在扩充着自己的疆域，具象绘画不断地在包容着更多的绘画样式。并且发现具象绘画的内在本质并不是具象，艺术家不会因为具象绘画而创作，或者说具象绘画不会成为一个艺术家创作的内在追求

2、和目标。本文一共分为八个章节，从我个人在绘画创作中对具象绘画的偏爱出发，先后谈论了具象绘画在艺术史的样子，又探讨了具象绘画与可信度、人体艺术和摄影的关系。并且再次阐述了具象绘画在今天具体是一个什么样子。最后通过论证得出：对艺术家创作而言，具象绘画和具象没有关系，艺术的本质不在于具不具象。关键词：具象;具象绘画;摄影;可信度AbstractRepresentationalhasalwaysaffectedus.Beforetheappearanceofabstractart,almostallformso

3、fartarefigurative.Today,toomanypeoplethinkthattheconcretepaintingwillend,buttheconcretepaintinghasnotended.Ithasbeenkilledagainandagain.Italwayslivesintheartist'spen.Thispaperfocusesonthepaintingtotalkabout,throughliteratureresearchandcomparativeanalysis

4、,referencetoalargenumberofartist'spaintingsandcomparativeanalysis,drawthefigurativepaintingfromancientpaintingtomoderntoPostmodernchangesinfigurativepaintingitselfhasbeenexpandingitsterritory,figurativepaintingconstantlyinamoreinclusivepaintingstyle.Andi

5、tisfoundthattheintrinsicnatureofconcretepaintingisnotconcrete.Theartistwillnotcreatebecauseoftheconcretepainting,ortherepresentationalpaintingwillnotbecometheintrinsicpursuitandgoalofanartist'screation.Thisarticleisdividedintoeightchapters.Startingfrommy

6、preferenceforrepresentationalpaintinginpainting,Italkedabouttheappearanceofconcretepaintinginthehistoryofart,anddiscussedtherelationshipbetweenconcretepaintingandcredibility,bodyartandphotography.Andagain,itexplainswhatthefigurativepaintingisliketoday.At

7、theendofthepaper,itisconcludedthatasfortheartist'screation,thereisnorelationbetweentheconcretepaintingandtheconcreteimage,andtheessenceoftheartisnottobespecific.Keywords:figurativepainting；photograph；representational；reliability目录导言......................

8、.......................................1第1章我和具象的关系...........................................2第2章具象绘画和具象关系......................................32.1古代的具象绘画和具象的关系......................................32.2摄影术出现后具象绘画和具象的关系...