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1、twoCézanne’sCertitudejean-lucmarionTranslatedbyDeborahS.Reisinger,withNathanPhillipsMygrandprinciple,mycertitude,mydiscovery.—Cézanne,ConversationsavecCézanne1Shouldn’tweagreetorefrainfromspeakingaboutCézannewhohimselfwarnedthat“talkingaboutartisalmostuseless”
2、?2Thecaveat“almost”willauthorizeourhopesofjustifyinganewattemptto“converse”aboutCé-zanne.Butthereismore:inordertohaveeventhemostbanallyaccuratevisionofCézanne’spainting,wewouldhavetoseeitasCézannehimselfin-tendedforustoseeit,thatistosay,toseeitashepaintedit.No
3、wasimplevisionofthispaintingalreadyrequiresthatwenotseeitasthosewhodidnotpaintlikeCézannesawit(orratherdidnotseeit).Andtherefore,since,duringhislifetime,onlyCézannepaintedlikeCézanne,thatweseeinthewayCézanneexplainedhowhehimselfsawwhathepainted,inordertosuccee
4、d,alwayswithdifficulty,inmakingitseen.Theachievementofthisvisionisnotself-evident,becauseCézannewrotestrangely,asstrangelyashepainted,butespeciallybecausehelackedtheconceptswithwhichtothinkit.Notthathethoughtinaconfused,approximate,ornaïvefashion:rather,whathe
5、attemptedtosayandtomakeseencouldnotbeauthorizedbyanyevidencealreadyacquirednorbyanypreviouslyestablishedaestheticdoctrine,sothathehadtothinkwithhisforcealoneandinassolitaryafashionashealsopainted.Thisstruggletopaintwasredoubledbyancézanne’scertitudeequivalen
6、tstruggletospeak—soastothinktheeffortofpainting.WewillnotattempttospeakofthisorthatoneofCézanne’spaintings(whichoth-ershavedonewithgreatercompetence),buttoreconstitutethethoughtCézannehadconceivedoftheirvisibility,oftheirmodeofpresence,andoftheirphenomenologic
7、alstatus.ILetusbeginwithoneofCézanne’smostfamousassertions:“LetmerepeatwhatItoldyouwhenyouwerehere:Rendernaturewiththecylinder,thesphere,andthecone,arrangedinperspective”(Conversations,27;CC,29).Althoughitisoftencited,themeaningofthisformulaisnotreadilyappar-e
8、nt,andinfact,itposesaconsiderablechallenge.Onedoesnotneedgreattraininginphilosophicalhistoryorinthesciencestohearanecho,almostadirectquotationfromDescartes’sandGalileo’sthesesconce