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当代电影中的魔幻现实主义（Magicrealismincontemporaryfilms）Howtodealwiththesimilarcriminalpolicesurveillance,resultingincrimeinminingTakemorecunningandmorecovertmeans.Two,soundmoralSoundmoralityismainlymanifestedinthebroadcastmedia,andtelevisionnetworkshaveseenListentotheadvantagesofcompatibilityandcomprehensiveperformance.Schramoncesaid:"theradioHasthehumancommunicationactivitiesbytheprintmediabacktotheoralcommunicationera,itMakeallhumanbeingsacceptcustomsnewsandentertainmenthavesignificantlychangedOf."Ingeneral,thehumanauditoryorganisthemostsensitiveandmosteasilyexcitedSensoryorgansoundsto"watch",butalsomuchmorecordial,thisItiseasiertocausethepsychologicalapproach.Theradioisusingthestandardspokenlanguage,Lookandsound,itiseasytomaketheaudiencegetpsychologicalidentity.Broadcast Colloquiallanguage,speakdirectlywiththeaudience,fromtheculturallevelofthelimitSystem,soithasstrongpermeability.TheeveningofOctober30,1938,WesternHalloween,AmericanColombiaShakespeareBBCannouncersuddenlyto"press"status,tolistentoThe"broadcast"his"witness":agroupofMartianswereNewJerseyWest,landing,tellinganyonetokillAmericantroops,simplycouldnotwithstandtheMartianattackHammer,havetoretreat.Finally,the"Scene"theannouncerwasalsodestroyed"",MarsisintheUnitedStatestopromote.Thisisthenewsimmediatelywithhairstandingonend.Causedthepanic,theendoftheworld,socialchaos.Infact,theCbsBroadcastingIncbroadcastjustafilmcalled"StarWars".Radiodrama,alsomentionedinadvance.Butbecauseofrealisticsound,solemn Theaudiencedescribeditasanewsreport.ButmanypersonneldidnotknowbeforeSaidnotice,justtransferredtothestationtoheartheradiohitoff"war",Alsoasaresultofthecountryforgospeltruth,panic.ThevoiceinwhichAbadinfluence.Three,moralimageWehaveenteredtheeraof"reading",visualeffectoftheimage,withtheThewordexpressionsdonothavetheadvantage.Someoftheso-called"beggarsdescription"Whatisoftenapieceofnewsphotos,aTVcameraclearly.specialDon'tbereportedusingimagefeaturesofvisualimageoftheexhibition,thestartlingfactNow,theaudienceataglance,instantlyproducesaestheticeffect.ButtheproblemIsdrivenbysomemediainterests,theuseofthepowerofdiscourse,totheworld Showtheimagefortheconceptualizationoftheworld,theaudienceonlyforimageandtheimagetoseeAstheworld.Halfacenturyago,humansufferingandcrueltyofwarhasdeepexperience,Showin90sthelastcenturyoccurredintheGulfWarinthemediaeasilyThesenseoftheNativeAmericanpeoplefeelthattheirsoldiersareplayingfireworks,Everythingjustlikecartoonbooksgenerallyfulloffun.AslongassomepeopleWecanseethatthemediathink,foracertainpurposetakethepicture,peopleplanTherealityoftheimage.OncetheTaiwanfemaleartistcreateagreatsensationtothedaughterofBaiBingbingwhiteXiaoYanwaskidnapped,thekidnappersfinallykilledacase,somemediapublishedinTaiwanBaiXiaoyan,withhishandstiedbodynakedness,disfiguredcorpseasaSlice,Therelativesofthevictimsexpressedstrongprotest,many audienceshaveAccuse。2002Dalian"5-7"afterthecrash,withtheseasituationThecomplex,salvagepersonnelthroughhardshipsinMay14thtofindthefirstblackbox(voicerecorder).InMay15th,ablackboxsalvagedThephotowaspublishedinthenewspaper:"thesizeoftheblackboxsalvageofficerholdingstationinthelightThecentralpiece,happyface:stoodbehindhim,agroupofpeoplearesmiling,Someapplauded,somealsoexcitedtoliftmyhands."ThispieceofnewsphotosInthenewspaperafaceless,immediatelydrewafuriousoutcryandsound,voicesofdoubt.Five17AugustChina"YouthDaily"youtheditionpublishedanarticleonthetopicofmediareaderThecriticismof"mediaaccomplishmentandhumanity",thepaperwrote:"Indeed,asreaders,wewanttoknowthedetailsoftheincidentandthesubsequentdevelopmentofthis. Weneedthemediatimelyanddetailedreports,butitmustbeinacertainUndertheprincipleoflove,compassion,respect,andrespectthehiddenRight,scientificspirit.IcanunderstandthesalvageofficersuccessfullycompletedworkAfterthejoy,butamomentafterthespread,IthinkThereporterisapatheticperformance.Thisraisesquestionsaboutthephotos,althoughtherearemoreThehighvalueofnews,butafterall,peoplestillimmersedinthedisasteraccidentishugeGrief,themediadidnotconsiderthehiddenfactorsofhumannatureinthephoto,soHuantianTothedisasterrelatedphotosinnewspapers,thewidedisseminationoftheThemediahavea"disregardforlife,ignoringtheemotional"too,whichledtothemajorityofreadersAnger.Themediaworkers,shoulderingtheresponsibilitytoguidepublicopinion,shapingthesoul,the Withthechangeofheartfunctionproducts.Whetheritistext,voiceorimage,Inthedisseminationofmediaworkers,shouldbecautious.Notes:ZhengZhenming:"journalismandmasscommunication",Taiwan'spress,1984edition,page380th.(DepartmentofHunanNormalUniversity,Schoolofpublicadministrationethics'zipcode:410081)[editor:gingerEve]Magicrealismincontemporaryfilms-JiaJianjingMagicrealismisgenerallyunderstoodas"bysomemagicalormagicMysteriousthings,phenomenaorideas,suchasIndianancientlegendsandmythsThestoryandstrangenaturalphenomenaofcharacters,extraordinarymanners,superstitionandThewriter'simagination,artisticexaggeration,absurddescriptionmeansthatreflectthehistoryandreality Aspecialkindofart."Theformofexpression,movieandMagicOnehundredandtwenty-nineJiaJianjing:inthecontemporarymoviemagicrealismisacongenitalindissolubleboundextractsofpaperfilmwithitsvividimage,makepeopleinamomentForgetitisnottrue,soitbecomesthehistoryofhumansocietythemostmagicTheawarenessoftheartform,butthemovieneveristherealworlditself.Peoplewatchamovieisapsychologicalexperience,althoughthiskindofexperienceCanexperiencethereallifeisnotsomething,thisisbecausetheartistandscreeningFromordinarylifeevents,theirprocessingandsublimation,thusWehaveastrongsenseofrealitywhenextraordinarymentalWatchMoviesExperience.Freudsaid:"lifeaswehavediscovered,forusIt'stoodifficult:bringussomuchpain,disappointmentanddifficulttocomplete Work,toendurethelife,wecannottakemeasurestobuffer.ThiskindofMaythree:strongtransfer,itmakesusignoreourpainInsteadofsuffering;meet,iteaseourpain;intoxicatedwiththemethod,itmakesWeareonourdullandnumbpain."ThefilmistheuseofallTheaudienceaudio-visualelementsmeetthecomprehensiveutilizationofthesethreetypesofmeasures,theRoleandpowerintegratedtomakethefilmtoovercomethedifferentregionsandcultures,timeAndthebarriersofspace,oursuccesstodaysecularmythofheaven.Magicrealismmovie"realityandfantasymagicintoseemingly,Theboundariesofrealityandnonrealityisbroken,therealityoftheelementsarecombinedinmagicTogether.IntheauthenticityoftheuniquefilmunderthepremisethatmayexistinrealityThemagicisfaithfullyreflectedtherealityandphysicalrealityofthescreenDropmorerealisticmagicalcolor".Wewatchthiskindofmovie When,althoughtheyareoftenfoundbasicallyinlinewiththereality,butalsohavedifferentprocessIsclearlybeyondthereality,sothatwehaveastrangefeeling,notNotforitswonderfulimaginationandwasimpressedbycan'thelpthewholeplotDeeplymovedby.The"magicrealismstyleandthebasicskills,themostimportantistoGodStrangeandabsurdfantasyandnewsrealistprincipleofcombiningart.Sign."ItissaidthatthecorespiritofmagicrealismistheabsurdityofthethingWitharealisticapproachtoperformance,whichisamazingasrealmutationproductsAndthespecialperformanceofreality.Theso-calledmagic,ismagicreality,inessenceItstillbelongstothescopeofrealism,italsotriestousetherealismofthehandMethodandrequirementstoreflectthe"authenticity", especiallyinthemovie,itisTherealphysicalreality,thispointandsurrealperformancepsychologicalrealityThereisanessentialdifference.WoodyAlan's"loveanddeath"fullofabsurdplotandfinefantasyDay,someofthembelongtotheexaggeratedcategory,whileothersarepurelyillusion.Fruit,onlytheprocessandthereasonswhysomeillusioniscleverlyomitted.WorthIsthekeyofmagicrealismistobreakthenormallogicalthinkingAndthecausallink,namelythereasonandresultoftherelationshipcanbea"very".Boriswasshothittheeventitselfisabsurd,butcomeonTherealenemy;in"thetindrum",littleOscarcryshattered.Thedetailisfantastic,butthedetailsofhislifehasbecomeawonderfulcourseoftheoriginalBecause,asawholeandthefilmplotdevelopmentsupportandpower.Althoughthistypeof Thewholeideaofthefilmisabsurd,butbecausethemovieplotintimeandthetotalIscoherent,anddescribethedetailsoftheincidentisfigurativeandbasis,soWearetheauthorsandartistsareattractedandtouched,astheuniquehandImpressedbythelaw.Inthedarknessofthetheater,wewereattractedtocareforthenextstep.Show,and"wearemoreconcernedabout,weagreetothistimemorefirmly,Weintheillusioninthedeeper,weframetheoutspaceisblockedThereisadaydream,onceproducedfrompaintingoutwardpainting,themorelikelywearesurprised.Atthesametime,becausetimeisnotbroken,themorewebelievethisistrue".Ontheonehand.Thankstoitsownfreeandbroadideas,ontheotherhandalsobenefitedfromelectricityInfluenceofconstructionabilitybetweentheinfiniteandtheimageisacombinationofthetwoinstant Withtheeternal,andtheconfusion,exaggerationanddistortion,realityandillusion,andmaybeTheletterproperlytogether,maketheartofmoviesshowingaschoolbythefreekingdomThenewrealmofnecessity.Intheeraof"reading"therapidarrivaltime,avarietyofmediacompetitionThemoreintense,appreciationandtasteofpeoplemoreandmorediversified,themagicRealismtechniqueinthecreationprocessoffilmartisfreefromtimeAdvantage,timelimitsomagicalapplicationwillbecomeaplaywrightburstofinspirationNewhorizonsandthinkinggallop.TheplaywrightfoundfromtherealisticthemeamongeventsandcreatevalueReasonablenonfictionalreality,reallifeisnotequaltothetrueartInreality,therealityofartisthecapitalofthereal.Bytheinterpretationofcommonindividualevents Thesignificanceofspecificeventsormakesublimationofasymbolicsignificancefortheordinarymagicshow,Thisisthekeytobuildthemovieplays.Aristotletoldus:"Inthestory,aconvincingpossibilityisthanadifficultThepossibilityofconfidenceismoreimportant."RobertMaggiesaid:"thestoryofArtDonotdistinguishbetweenrealityandnonreality,suchasfantasy,dreamandreality,theauthorThecreationofintelligentitallintooneandtheoneandonlyconvincingThefictionalworld."ThisisthecontemporaryHollywoodplaywrightbymagicrealismMethodstofindabreakthroughnewplays,andcreatedmanywell-knownexcellentThereasonthemovie.Themagicofthissword,theycaninrealityandnoncurrentTofindthebestfitpointbetweenthesolid,andtheplaytotheextreme.Intheaspectofmagicrealismwriteranothercommonlyusedtechniqueisto Peoplefamiliarwiththeunfamiliar,andthevisionandperspectiveofastrangenewTocareandcommunication,whichisthemagicrealismworksoftencancreateOneofthereasonsforthehumorouseffectofcourse,todothis,firstofalltothepresentRealexaggeration.TheRussianformalistsShklovskysaid:"theartofthedepositIn,istomakepeopletorestoreasenseoflife,istomakepeoplefeelevents,Therocksshowstonetexture.Thepurposeofartistofeelthings,Butnotonlyknowthings.TheskillofartistomakeobjectsunfamiliartoTypebecomesdifficult,increasingthedifficultyandlengthofperception,becausetheprocessofperceptionIsanaestheticpurpose,musttrytoextend."8In"thetruestoryofAgam",themainplotisrunningAgamfulcrum,ButwhenAgamisgoodatrunningandAmericanfootball,andantiwarhistoricalevents, The"Freudspeechselection",ruralreadingpress,fifthpages.TheFuQi:"imaginaryfreedom",pp.176-223.The8to11WuXiaodong:"TwentiethCenturyforeignliterature",eighty-ninthpages,94pages,96pages.6,RobertMaggie:"thestory",page218th.(author:CCTVInformationDepartmentzipcode:100859)[editor:Muzi]MimicrytosurviveintherealityshowThe"--aculturalinterpretationofrealitytelevision"LiYananTherealityshow(RealityTV),alsoknownasrealityTV,recordingsoapDrama,realityshow,isaccordingtotherulesmadebyproducers,andrecordedbytheordinarypeopletoparticipateinForTVgameshows."Realityshow"thetideisspreadingworldwide,althoughtheacademiccirclesdonotgivethis Anewprogramformastrictdefinition,butitdoesnotpreventthemajorTVcompaniesToputtheaudienceratingsandcrazy.However,inthesebeautifulsceneBehind,alsohiddenproblemssuchasethics,socialresponsibilityofmedia.Themanufacturingworld--"realityshow"inthevirtualenvironmentEnvironmentalmonitoringhasbeenconsideredanimportantfunctionofmedia.ButasearlyasIn1922,AmericancolumnistLippmann(WalterLippman)recognitionFor,itisnecessarytothemindofthesceneandtheoutsideworldapart,theformerbuildingStandbasedonselectivemedia"tips",isbasedontherealityoftheenvironmentoffTheconceptofchangeandasymboloftheenvironmentofinformation.LippmanncallsAsthe"PseudoEnvironment"(pseudo-environment).AnotherreferenceconceptiscalledBaudrillard(Baudrillard) Thesimulationoftheworld(simulation)".Baudrillardbelievesthat"TVistheworldTherealworld",istheTV,computerscreen,virtualrealityandstereoheadset.Theresultofthe.Thingsbecometheimageofthings,evenmorethanthingsThevirtualimageofthemorestrange.Butwhetheritis"PseudoEnvironment",or"theworld",inthe"realityBeforetheshow"anewrealityhasbecomefeeble.ThemediaandtheenvironmentTheDepartmenthasbeenchangedfrom"tips"and"virtual"tothedevelopmentofanewstage,namelymedia"Makingtheworlddirectly".IntheJimCarrymovie"Trumanshow"Truman,poorborntoliveinanartificialworld,helivedintheseaJingZhenistheworld'slargeststudio,theskyisthescenery,theseaisset,Evenfriendsandeverydaythepeopleinthetownarealloccupationactor. ThefictionalstoryofHollywoodintheoryisentirelypossibleinthepresentInreallife,themetaphorandincisivesatireisthemediaoftherealworld.Word.Justinthisyear,theworld'sfirst"realityshow"wasborninHollandThe.Themediaindustryhasdevelopedtosuchastage:HollywoodBuildalikeTitanicship,cancosttensofbillionsofU.S.Goldtobuildafuturecity.Adirectresultofthiswayofthinkingisthemediafor"Artificialenvironment"(man-madeenvironment)fascination,"realityshow"Inalotof"lofts"and"island"istheminiaturemediamanufacturing"Theworld".Onehundredandthirty-oneYanAn:mimicrytosurviveintherealityshowextractsofpaper
