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1、HAIKUHaikuisaJapaneseformofpoetrythatismadeupof17syllables.ItisnotatraditionalformofEnglishpoetry,butisverypopularwithEnglishwriters.Itiseasytowriteand,likethecinquain,cangiveaclearpictureandcreateaspecialfeelingusingtheminimumofwords.Thetwohaikupoems(FandG)abovearetransl
2、ationsfromtheJapanese.はいく徘句诗(Haiku)是一种日本诗,由17个音节组成。它不属英诗的传统形式,但是在用英语写作的人们中间,这种诗也是很流行的。它容易写,而且像五行诗一样,它可以用最少的词语呈现出一幅清晰的画面,表达出一种特殊的感情。下面两首徘句诗(右边的F和G)就是从日文翻译出来的。ModernJapanesehaikuareincreasinglyunlikelytofollowthetraditionof17onortotakenatureastheirsubject,buttheuseofjuxtapo
3、sitioncontinuestobehonoredinbothtraditionalandmodernhaiku.Thereisacommon,althoughrelativelyrecent,perceptionthattheimagesjuxtaposedmustbedirectlyobservedeverydayobjectsoroccurrences.InJapanese,haikuaretraditionallyprintedinasingleverticallinewhilehaikuinEnglishoftenappear
4、inthreelinestoparallelthethreephrasesofJapanesehaiku.AfallenblossomIscomingbacktothebranch.Look,abutterfly-MoritakeArakidaMoritake(荒木田守武,1473–1549)wasaJapanesemonk,butalsoagreatpoetwhoexcelledinthefieldsofwaka,renga,andinparticularhaikai.HewasthesonofNegiMorihide,andaShin
5、toistSnowhavingmelted,ThewholevillageisbrimfulOfhappychildren.-IssaKobayashiIssa(小林一茶,1763–1828)wasaJapanesepoet.HeisbetterknownassimplyIssa,apennamemeaning.HeisregardedasoneofthefourhaikumastersinJapan,alongwithBashō,BusonandShiki.RepresentativeMatsuoBashō(松尾芭蕉,1644–1694
6、)wasthemostfamouspoetoftheEdoperiodinJapan.Duringhislifetime,Bashōwasrecognizedforhisworksinthecollaborativehaikainorengaform;today,aftercenturiesofcommentary,heisrecognizedasthegreatestmasterofhaiku.Sarumino(猿蓑Monkey'sRaincoat)InthecityWhataheavysmellofthings!Thesummermo
7、on.Howhotitis!Howhotitis!Voicescallatgateaftergate.ThesecondweedingHasnotevenbeenfinished,Butthericeisinear.Brushingawaytheashes,Asinglesmokedsardine.InthisneighborhoodTheydon'tevenrecognizemoney—Howinconvenient!HejuststandstherestupidlyWearingagreatbigdagger.《旅途》旅途罹病,荒原驰
8、骋梦魂萦。《怀古》昔日雄关今不见,秋风掠过竹桑田。《银河》怒海涌银河流来佐渡岛。《江户》草庵辞旧主,从此居中多倩影。《笠岛》欲往笠岛行,无奈五月梅雨泥泞道。《借宿》疲惫不堪借宿时,夕阳返照紫藤