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1、MacbethThisvolumeoffersawealthofcriticalanalysis,supportedwithamplehistor-icalandbibliographicalinformation,aboutoneofShakespeare’smostenduringlypopularandgloballyinfluentialplays.Itseighteennewchaptersrepresentabroadspectrumofcurrentscholarlyandinterpretiveap
2、proaches,fromhistoricistcriticismtoperformancetheorytoculturalstudies.Asub-stantialsectionaddressesearlymodernthemes,withattentiontotheprot-agonistsandthediscoursesofpolitics,class,gender,theemotions,andtheeconomy,alongwithdiscussionsofsignificant‘minor’chara
3、ctersandlesscommonlyexaminedtextualpassages.FurtherchaptersscrutinizeMacbeth’sperformance,adaptationandtransformationacrossseveralmedia—stage,film,text,andhypertext—inculturalsettingsrangingfromearlynineteenth-centuryEnglandtolatetwentieth-centuryChina.Theedi
4、tor’sextensiveintroductionsurveyscritical,theatrical,andcinematicinterpretationsfromthelateseventeenthcenturytothebeginningofthetwenty-first,whileadvancingasyntheticargumenttoexplaintheshiftingrelationshipbetweentwoconflictingstrainsinthetragedy’sreception.Wri
5、ttentoalevelthatwillbebothaccessibletoadvancedundergraduatesand,atthesametime,usefultopostgraduatesandspecialistsinthefield,thisbookwillgreatlyenhanceanystudyofMacbeth.Contributors:RebeccaLemon,JonathanBaldo,RebeccaAnnBach,JulieBarmazel,AbrahamStoll,LoisFeuer
6、,StephenDeng,LisaA.Tomaszewski,LynneDicksonBruckner,MichaelDavidFox,JamesWells,LauraEngel,StephenM.Buhler,Bi-qiBeatriceLei,KimFeddersonandJ.MichaelRichardson,BrunoLessard,PamelaMason.NickMoschovakishaspublishedessaysinacademicandculturaljournalsincludingShak
7、espeareQuarterly,MiltonQuarterly,andCollegeLiterature.HehastaughtcoursesonShakespeareandearlymodernEnglishliteratureatTheUniversityoftheSouth,GeorgeWashingtonUniversity,ReedCollege,andelsewhere.ShakespeareCriticismPhilipC.Kolin,GeneralEditorRomeoandJulietHen
8、ryVICriticalEssaysCriticalEssaysEditedbyJohnF.AndrewsEditedbyThomasA.PendletonCoriolanusTheTempestCriticalEssaysCriticalEssaysEditedbyDavidWheelerEditedbyPatrickM.MurphyTitusAndronicusPericlesCr