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时间:2019-05-25
《论易卜生晚期戏剧中的象征手法》由会员上传分享,免费在线阅读,更多相关内容在学术论文-天天文库。
1、论易卜生晚期戏剧中的象征手法摘要易卜生是现代戏剧的开创者和奠基人,他的晚期戏剧进入当代才开始大放异彩,但鲜少有学者整体把握这其中的象征手法。因此,对易卜生晚期戏剧进行整体的分析研究显得尤为重要。运用整体研究、综合分析、归纳概括等方法,以易卜生晚期所有剧本为立足点,介绍易卜生在晚期艺术创作转变的背景、概括晚期戏剧的分类情况、探讨其独特的象征艺术,并在此基础上结合影响研究理论,归纳易卜生象征手法对后世的影响。对易卜生晚期戏剧中象征手法的整体把握,能够凸显其象征的独特性及其晚期戏剧重要的艺术价值。关键词:易卜生;晚期戏剧;象征AbstractIbsenisthepioneerandfounde
2、rofmoderndrama,hislatedramaintothecontemporarybegantoshine,butfewscholarsasawholegraspthesymbolicway.Therefore,itisveryimportanttocarryoutthewholeanalysisofIbsen'slatedrama.ThispaperintroducesthebackgroundofIbsen'stransformationoflateartisticcreation,summarizestheclassificationoflatedrama,explore
3、sitsuniquesymbolart,andanalyzestheclassificationoflatestageartbyusingthewholeresearch,comprehensiveanalysis,generalizationandgeneralization.Onthisbasis,combinedwiththeimpactofresearchtheory,summeduptheIbsensymbolismontheimpactoffuturegenerations.TheoverallgraspofthesymbolicapproachinIbsen'slatepl
4、ayscanhighlightthesymbolicuniquenessandtheimportantartisticvalueofhislatedrama.Keywords:Ibsen;latedrama;symbol目录摘要·······························································ⅠAbstract····························································Ⅱ目录················································
5、···············Ⅲ引言·······························································1一、象征:易卜生晚期戏剧创作的转向·································1二、易卜生晚期戏剧中象征手法的分类·································2(一)社会象征·····················································2(二)偶然象征·············································
6、········3三、易卜生对象征艺术的独特探索·····································6(一)象征与写实的结合·············································6(二)富有神秘色彩·················································7(三)暗含哲理思考·················································8(四)象征物中寓以心理刻画··········································8(五)带
7、有自传意味·················································9三、易卜生象征手法对后世的影响······································10结语·······························································12参考文献·····································
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