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1、互动的；西方绘画的虚是辅助实的，实是画面的主体。本文对中西绘画空间意识及表现的分析与比较，立足于哲学渊源，以透视、空间造型、开放性、虚实关系等空间表现的基本方法和属性作为辨异其差别的比较点。中西绘画的融合，是随着“西学东渐”在中西文化交流的不断深入与扩大的情形下产生的一种学术现象。基于不同的结合点和结合方式，中西画法融合的实践大致又可分为三种形式：一为徐悲鸿以西方古典主义改造中国绘画，为以西入中；一为林风眠以西方现代主义与中国远古和民间艺术嫁接，属西体中用；一为刘海粟将中国绘画写意的特色和西方后印象主义风格沟通，赋笔墨于色彩。他们的贡献是：在中国艺术与世
2、界艺术交流对话中，为中国美术带来了创造的自觉与自由的空气，为彰显中华文明的独特魅力开辟了新天地。关键词：中西绘画；空间意识；差异；表现；融合ChinaandtheWestdrawingspatialconsciousnessandtheperformance——concurrentlydiscussesChinaandtheWestdrawingthefusionAbstractChinaandtheWestdrawingallhastheglorioushistory,butbehindthiskindofglorioushistoryformsres
3、pectivephilosophicthinkingandestheticsidea,inthepenetrationdrawingspacerealizesthisbreakthroughpoint,refractstheirmindandthelightofwisdom.Therefore,inChinaandtheWestdrawing“spatialconsciousnessandtheperformance”alwaysisthefineartsresearchtopic.Bywhatkindofthoughtangleofviewunders
4、toodandelaboratesChinaandtheWestdrawing“spatialconsciousnessandtheperformance”thedifferencequestion,alsoistheresearchdifficulty.Inthesodifferentdrawingperformanceaspect,foundonetolinkupboththecomparisonspot,justslikewhenthesketchseeksonthestilllifethatlightandshadetohandoverthede
5、marcationline,hopedthislinecanaccurateandtherichexpressiveforceletsthisobjectbebright,alsocannotfalltheconvention,thisisadifficulty,itsmyinterestingtoo.Becauseofthedifferenceofphilosophicalideologies,greatdiscrepancyexistsbetweentherepresentationsofthespatialconsciousnessinChines
6、eandWesterndrawings.ThespatialconsciousnessofChinesedrawing，influencedbythethought—“theharmonyofnatureandhuman”,istheawarenessoftherhythmsofnaturebyobservingeverythingintheworldwiththemind’seyes.WhilethespatialconsciousnessofWesterndrawing,influencedbytheattitudetowardstheunivers
7、e—oppositionbetweennatureandhumans,andbasedonwesternscienceandtechnology,istheawarenessofthespatialorderandthestaticharmonyoftheworld,treatingtheendlessuniverseinthewayofseeking,controllingandexploring.Chinesedrawingisonekindofdynamicpsychologicalexperiencingandobservingmethod,ma
8、inlyemployingtheperspectiveofmovingpoint
