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1、在表演创作中如何把握人物性格基调（Howtograspthecharacter'skeynoteinperformancecreation）Howtograspthecharacter'skeynoteinperformancecreationTheworkofportrayingcharactersbyactorscanbesummedupintwoaspects:oneistounderstandcharacters,theotheristoembodycharacters.Understandingthecharact
2、ersisthepremiseofthecharacters,andthecharactersaretheresultofunderstandingthecharacters.Theactorscanonlyvividlyunderstandthecharacterstheyplay.Asmentionedabove,theauthorisshapingthecharacteractordramabymeansofliteraturedescriptionofcharactersrecreation,becomedirect
3、lyvisible,specificstage,screenimage,"thecharacterscomeoutfromthescript,makeuscloserandmoreunderstandhim".Sothemostdirectbasisforunderstandingcharactersisthescript.Theactorisbasedontheanalysisandresearchofthewholescripttofurtherunderstandthecharactersheplays.Underst
4、andthecharacters,byBritishactorMikeReddyinnineteenthCenturywastomeasurethedepthofcharacter,toexplorehispotentialmotivation,moodchangestofeelhismostmeticulous,tounderstandthehiddenintheliteralthoughts,inordertograspauniquehumaninneressence".Understandingthecharacter
5、sshouldfirstcatchthecharacter'skeynote.Characterkeynoteisthemostessentialandcoreaspectofcharacters,andthemaincharacteristicsofcharacterthoughtandpersonality.ComradeGaiJiaotianistheexampletoexplainwhatisthecharacteroftone,hesaid:ZhouYu,LvBu,ZhaoYunthreearethreestar,
6、ascharactersarewearingwhitebyTakefu,althoughtheappearanceissimilar,butZhouYu,LvBu,ZhaoYunistheprideofbasebeinghungry,daredareheroamongthethreedifferentcharacters,eachcharacteristone.ZhangRuifangtalkedaboutherexperienceofLiShuangshuang,andsaid,"accordingtothepastexp
7、erience,IamnoteagertoperformLiShuangshuang,buttryto"surround"andtrytofindoutmycharactersinallaspects.......IwanttofirstfindLiShuangshuangintheendiswhatkindofperson?Shehascolorandothercharactersofwhatkindoffeatures?Howtoformlogicalthoughtsandbehaviorlogicoftheirown?
8、Whatisshegivestheoverallimpressiontothesumofallthis?Ihaveanamecalled"charactersmentalstate"or"figuretone".Shesaid,"whenyoudrawapicture,youhavetou
