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1、Whydosingerssinginthewaytheydo?Why,forexample,iswesternclassicalsingingsodifferentfrompopsinging?HowisitthatFreddieMercuryandMontserratCaballecouldsingtogether?ThesearethekindsofquestionswhichJohnPotter,asingerofinternationalreputeandhimselfthemasterofmanystyles,posesinthisfascinatin
2、gbook,whichiseffectivelyahistoryofsingingstyle.Hefindsthereasonstobeprimarilyideologicalratherthanspecificallymusical.Hisbookidentifiesparticularhistorical'momentsofchange'insingingtechniqueandstyle,andrelatesthesetoathree-stagetheoryofstylebasedontherelationshipofsingingtotext.There
3、isasubstantialsectiononmeaninginsinging,andadiscussionofhowthetransmissionofmeaningisenabledorinhibitedbydifferentvarietiesofstyleortechnique.VOCALAUTHORITYVOCALAUTHORITYSingingstyleandideologyJOHNPOTTERCAMBRIDGEUNIVERSITYPRESSPUBLISHEDBYTHEPRESSSYNDICATEOFTHEUNIVERSITYOFCAMBRIDGEThe
4、PittBuilding,TrumpingtonStreet,CambridgeCB2IRP,UnitedKingdomCAMBRIDGEUNIVERSITYPRESSTheEdinburghBuilding,CambridgeCB22RU,UnitedKingdom40West20thStreet,NewYork,NY10011-4211,USA10StamfordRoad,Oakleigh,Melbourne3166,Australia©CambridgeUniversityPress1998Thisbookisincopyright.Subjecttost
5、atutoryexceptionandtotheprovisionsofrelevantcollectivelicensingagreements,noreproductionofanypartmaytakeplacewithoutthewrittenpermissionofCambridgeUniversityPress.Firstpublished1998TypesetinBaskerville11/12^pt[cE]AcataloguerecordforthisbookisavailablefromtheBritishLibrarylibraryofCon
6、gresscataloguinginpublicationdataPotter,John,tenor.Vocalauthority:singingstyleandideology/JohnPotter.p.cm.Includesbibliographicalreferencesandindex.ISBNo521563569(hardback)1.Singing-Interpretation(Phrasing,dynamics,etc.)2.Singing-Instructionandstudy.3.Vocalmusic-Historyandcriticism.I
7、.Title.MT892.P681998783'.O43-dC2I97-IIO3ICIPMNISBNo521563569hardbackTransferredtodigitalprinting2004forA.G.POTTER(1918-1988)ContentsPrefacepagexiAcknowledgementsxv1Classicalideologyandthepre-historyofsingingi2Themedievalperiod:religion,literacyandcontrol143TheItalianbaroquerevolution
8、314Thedevelo
