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1、P1:KDFCB660-FMCB660/Schneider-v3April1,200418:2ThispageintentionallyleftblankiiP1:KDFCB660-FMCB660/Schneider-v3April1,200418:2HorrorFilmandPsychoanalysisInrecentyears,psychoanalytictheoryhasbeenthesubjectofattacksfromphilosophers,culturalcritics,andscientistswhohavequestionedthecogencyofits
2、reasoningaswellasthesoundnessofitspremises.Nevertheless,whenusedtoshedlightonhorrorcinema,psychoanalysisinitsvariousformshasproventobeafruitfulandprovocativeinterpretativetool.Thisvolumeseekstofindtheproperplaceofpsychoanalyticthoughtincriticaldiscussionofcinemainaseriesofessaysthatdebateits
3、legitimacy,utility,andvalidityasappliedtothehorrorgenre.Itdistinguishesitselffrompreviousworkinthisareathroughtheself-consciousnesswithwhichpsychoanalyticconceptsareemployedandthetheorizationthatcoexistswithinterpretationsofparticularhorrorfilmsandsubgenres.StevenJaySchneiderisascholarofcine
4、maandphilosophy.HeistheauthorofDesigningFear:AestheticsofCinematicHorrorandeditorofNewHollywoodViolence,amongotherpublications.iP1:KDFCB660-FMCB660/Schneider-v3April1,200418:2iiP1:KDFCB660-FMCB660/Schneider-v3April1,200418:2CambridgeStudiesinFilmGeneralEditorsWilliamRothman,UniversityofMiam
5、iDudleyAndrew,UniversityofIowaCambridgeStudiesinFilmisaseriesofscholarlystudiesofhighintellectualstandardonthehistoryandcriticismoffilm.Eachbookexaminesadifferentaspectoffilmasasocialandculturalphenomenon,settingstandardsanddirectionsfortheevaluationanddefinitionoffilmscholarship.Designedforbot
6、hfilmenthusiastsandacademicreaders,theseriesisinternationalinscopeofsubjectmatterandeclecticintermsofapproachandperspective.CambridgeStudiesinFilmprovidesafoundationinthetheoryandphiloso-phyoftheemergingvisualmediathatcontinuestoshapeourworld.SelectedtitlesfromtheseriesThe‘I’oftheCamera:Essa
7、ysinFilmCriticism,History,andAesthetics,byWilliamRothmanTheCinemaofSatyajitRay,byDariusCooperDocumentaryFilmClassics,byWilliamRothmanJohnHuston’sFilmmaking,byLesleyBrillProjectingIllusion:FilmSpectatorshipandtheImpressionofReality,byRichardAllenInterpret
