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1、__________________________________________________ThetailoffameAnartistwhoseeksfameislikeadogchasinghisowntailwho,whenhecapturesit,doesnotknowwhatelsetodobuttocontinuechasingit.Thecrueltyofsuccessisthatitoftenleadsthosewhoseeksuchsuccesstoparticipateintheirown
2、destruction."Don'tquityourdayjob!"isadvicefrequentlygivenbyunderstandablypessimisticfamilymembersandfriendstoabuddingartistwhoistryinghardtosucceed.Theconquestoffameisdifficultatbest,andmanyendupemotionallyifnotfinanciallybankrupt.Still,impuremotivessuchasthed
3、esireforworshippingfansandpraisefrompeersmayspurtheartiston.Thelureofdrowninginfame'simperialgloryisnoteasilyresisted.Thosewhogainfamemostoftengainitasaresultofexploitingtheirtalentforsinging,dancing,painting,orwriting,etc.Theydevelopastylethatagentsmarketaggr
4、essivelytohastenpopularity,andtheirrideontheexpresselevatortothetopisablur.Mostwouldbehard-pressedtotellyouhowtheyevengotthere.Artistscannotremainidle,though.Whentheperformer,painterorwriterbecomesbored,theirworkbeginstoshowalackofcontinuityinitsappealanditbec
5、omesdifficulttosustaintheattentionofthepublic.Aftertheirenthusiasmhasdissolved,thepublicsimplymovesontothenextflavorofthemonth.Artistswhodoattempttoremaincurrentbymakingevenminutechangestotheirstyleofwriting,dancingorsinging,runasignificantriskoflosingtheaudie
6、nce'sfavor.Thepublicsimplydiscountsstylesotherthanthoseforwhichtheartisthasbecomefamous.Famousauthors'styles—aTennesseeWilliamsplayoraplotbyErnestHemingwayorapoembyRobertFrostorT.S.Eliot—areeasilyrecognizable.ThesameistrueofpainterslikeMonet,Renoir,orDaliandmo
7、viemakerslikeHitchcock,Fellini,Spielberg,ChenKaigeorZhangYimou.Theirdistinctstylesmarkedasignificantchangeinformfromothersandgainedthemfameandfortune.However,theypaidforitbygivingupthefreedomtoexpressthemselveswithotherstylesorforms.Fame'sspotlightcanbehottert
8、hanatropicaljungle—afraudisquicklyexposed,andthepressureofsomuchattentionistoomuchformosttoendure.Ittakesyououtofyourself:Youmustbewhatthepublicthinksyouare,notwhatyoureallyareorco
