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1、themainverb(shownincapitals)occursinmid-parallelismandformsaconcealedcenterofgravity,balancingsubjectagainstpredicate.Itisobviouslytheaestheticsofformthattendstoattractthereader’sattentionhereratherthanthemeaning.WemightplausiblysaythatLylyhasembroideredanelaborategarmentroundthes
2、impleidea“Eupheuswasayoungdandy.”If“adornment”istobeidentifiedinlinguisticpatternswhichhavelittlesemanticfunction,wecanpointtothealliterationsclusteredintheendofthethirdsentence.Wecanalsopointtogrammaticalparallelismwhich,thoughnotdevoidofcontent,seemmerelytoplayaroleofembellishme
3、nt,providingfurtherexamplesofaconceptalreadyexpressed:“Thesweetestrosehathhisprickle”alreadyconveysthemeaning“eventhebestthingsarealloyedwithbad,”andthustherepetitionofthepatternin“thefinestvelvethisbrack,thefairestflowerhisbran’isredundant.Lylymightnothave,then,addedthelastpieceo
4、fpatternunlesshehadelaboratedonthealliterativefunctionof“holiesthead”and“wickedway.”However,theelaborationofformwillinevitablybringanelaborationofmeaning.Therepetitionofparallelofexamplesfromdifferentexperience(“rose…velvet…flower…wit…head”)spursourassociationwiththegeneralityofad
5、idacticprinciplewhichisotherwiseseentobeparticular.Therepetitionin“wit…wealth…wisdom”isnotmererepetitionbutaprogressionimplyinganincreasingweightinessofthequalitieslisted.Theparallelismof“inferiortononeinpleasantconceits”and“superiortoallinhonestconditions”givesaschematicbalanceto
6、theimageofsomethinglight(“pleasantconceits”)beingweighedagainstsomethingheavy(“honestconditions”),underliningthefaultylogicofEupheus’syouthfulmind.Sotheschematismofformaimsattheideasbeingpresented. Amoregeneralandtenabledefinitionofstyleisthe“mannerofexpression”:everywriternecessa
7、rilymakeschoicesofexpression,anditisinthesechoices,inhis/her“wayofputtingthings,”thatstyleresides.Thisdefinitionofstyleabidesbythebeliefthattherecanbedifferentwaysofconveyingthesamecontentanddrawsparallelswithotherartformssuchasmusic,paintingandarchitecture,andtovariedactivitiessu
8、chasplayingthepianoorplayingtenni
