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1、themainverb(shownincapitals)occursinmid-parallelismandformsaconcealedcenterofgravity,balancingsubjectagainstpredicate.Itisobviouslytheaestheticsofformthattendstoattractthereader’sattentionhereratherthanthemeaning.WemightplausiblysaythatLylyhasembroideredanelaborategarmentroun
2、dthesimpleidea“Eupheuswasayoungdandy.”If“adornment”istobeidentifiedinlinguisticpatternswhichhavelittlesemanticfunction,wecanpointtothealliterationsclusteredintheendofthethirdsentence.Wecanalsopointtogrammaticalparallelismwhich,thoughnotdevoidofcontent,seemmerelytoplayaroleofe
3、mbellishment,providingfurtherexamplesofaconceptalreadyexpressed:“Thesweetestrosehathhisprickle”alreadyconveysthemeaning“eventhebestthingsarealloyedwithbad,”andthustherepetitionofthepatternin“thefinestvelvethisbrack,thefairestflowerhisbran’isredundant.Lylymightnothave,then,add
4、edthelastpieceofpatternunlesshehadelaboratedonthealliterativefunctionof“holiesthead”and“wickedway.”However,theelaborationofformwillinevitablybringanelaborationofmeaning.Therepetitionofparallelofexamplesfromdifferentexperience(“rose…velvet…flower…wit…head”)spursourassociationw
5、iththegeneralityofadidacticprinciplewhichisotherwiseseentobeparticular.Therepetitionin“wit…wealth…wisdom”isnotmererepetitionbutaprogressionimplyinganincreasingweightinessofthequalitieslisted.Theparallelismof“inferiortononeinpleasantconceits”and“superiortoallinhonestconditions
6、”givesaschematicbalancetotheimageofsomethinglight(“pleasantconceits”)beingweighedagainstsomethingheavy(“honestconditions”),underliningthefaultylogicofEupheus’syouthfulmind.Sotheschematismofformaimsattheideasbeingpresented. Amoregeneralandtenabledefinitionofstyleisthe“mannerof
7、expression”:everywriternecessarilymakeschoicesofexpression,anditisinthesechoices,inhis/her“wayofputtingthings,”thatstyleresides.Thisdefinitionofstyleabidesbythebeliefthattherecanbedifferentwaysofconveyingthesamecontentanddrawsparallelswithotherartformssuchasmusic,paintinganda
8、rchitecture,andtovariedactivitiessuchasplayingthepianoorplayingtenni
