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ID:49995538
大小:1.52 MB
页数:22页
时间:2020-03-03
《维瓦尔第歌剧选段《受伤的新娘》的演唱分析.pdf》由会员上传分享,免费在线阅读,更多相关内容在学术论文-天天文库。
1、£tafFm~xJi51Jilf$~«st1j]a2、~~-~rl~~~~-.ili~§~~~m~~~*~~~~~ft~m~~~~~hl~W~fflct~MMo~ft-~I~MAMm*mRAA~~ff~~~~B~~X~~7~~~&~*~~7~Ao~tB~A:-yJ(b.b,~J£,~txf*OO*tliJoo~~*-~~f-J§Xtntt:~i3~i!~xa1][En1~fl-l~~r~*:ftiq:-l!t;x--~~&~o*A~~~m~#~~~~~~ffi~~~~$~$~~~~A~*~Wi~ill1ft~Ji;:;PJIJ-=*J¥Ht~Ep~!WiEP~t3taL~=J:f-tro!Jt1m~3、f!iiJ.:f.f~i~:f-f,£~,lliAA.~t'[~J'Co~~1¥Jit;t1£M*Fatl]jJ!~JJ.-tJ~1£o中文摘要中文摘要咏叹调《受伤的新娘》是维瓦尔第歌剧《巴亚采特》的选段,本文通过研究维瓦尔第生平和创作背景,以及歌词、旋律、作品结构、伴奏织体等,结合自己的演唱体会,更加了解《受伤的新娘》这部作品。总结自己演唱《受伤的新娘》时声音的控制、气息的运用、情感的处理和声音与情感的统一方面的经验.希望能为更多想演唱或正准备演唱《受伤的新娘》这首作品的声乐学习者,提供一些帮助。关键词:歌剧、受伤的新娘、演唱分析、心得体会I云4、南艺术学院硕士学位论文AbstractTheinjuredbrideisvivaldisongpassagesinthebajamining,thisarticlethroughthestudyoflife,vivaldiinjuredbride'screationbackground,throughtheanalysisoflyrics,melody,thestructureofhisworks,accompanimenttexture,combinedwithhisownexperience,moreunderstandingoftheinj5、uredbridethiswork.Sungbysumminguptheinjuredbridevoicecontrol,theuseofbreath,emotionalprocessingandtheunityofsoundandemotion,hopetheirexperiencescanhelptomorewanttosingorarepreparingtosingtheinjuredbrideprofessionalsingerorsinginglovers,tomakethemlessdetours.Keywords:musicstyl6、e,singingstyle,commentsII目录目录中文摘要.........................................................................................................................IABSTRACT.................................................................................................................7、.......II导论..........................................................................................................................1第一章维瓦尔第歌剧《巴亚采特》简介.................................................................2第一节维瓦尔第的生平.................................................8、.......................................2第二节歌剧《巴亚采特》的创作背景............
2、~~-~rl~~~~-.ili~§~~~m~~~*~~~~~ft~m~~~~~hl~W~fflct~MMo~ft-~I~MAMm*mRAA~~ff~~~~B~~X~~7~~~&~*~~7~Ao~tB~A:-yJ(b.b,~J£,~txf*OO*tliJoo~~*-~~f-J§Xtntt:~i3~i!~xa1][En1~fl-l~~r~*:ftiq:-l!t;x--~~&~o*A~~~m~#~~~~~~ffi~~~~$~$~~~~A~*~Wi~ill1ft~Ji;:;PJIJ-=*J¥Ht~Ep~!WiEP~t3taL~=J:f-tro!Jt1m~
3、f!iiJ.:f.f~i~:f-f,£~,lliAA.~t'[~J'Co~~1¥Jit;t1£M*Fatl]jJ!~JJ.-tJ~1£o中文摘要中文摘要咏叹调《受伤的新娘》是维瓦尔第歌剧《巴亚采特》的选段,本文通过研究维瓦尔第生平和创作背景,以及歌词、旋律、作品结构、伴奏织体等,结合自己的演唱体会,更加了解《受伤的新娘》这部作品。总结自己演唱《受伤的新娘》时声音的控制、气息的运用、情感的处理和声音与情感的统一方面的经验.希望能为更多想演唱或正准备演唱《受伤的新娘》这首作品的声乐学习者,提供一些帮助。关键词:歌剧、受伤的新娘、演唱分析、心得体会I云
4、南艺术学院硕士学位论文AbstractTheinjuredbrideisvivaldisongpassagesinthebajamining,thisarticlethroughthestudyoflife,vivaldiinjuredbride'screationbackground,throughtheanalysisoflyrics,melody,thestructureofhisworks,accompanimenttexture,combinedwithhisownexperience,moreunderstandingoftheinj
5、uredbridethiswork.Sungbysumminguptheinjuredbridevoicecontrol,theuseofbreath,emotionalprocessingandtheunityofsoundandemotion,hopetheirexperiencescanhelptomorewanttosingorarepreparingtosingtheinjuredbrideprofessionalsingerorsinginglovers,tomakethemlessdetours.Keywords:musicstyl
6、e,singingstyle,commentsII目录目录中文摘要.........................................................................................................................IABSTRACT.................................................................................................................
7、.......II导论..........................................................................................................................1第一章维瓦尔第歌剧《巴亚采特》简介.................................................................2第一节维瓦尔第的生平.................................................
8、.......................................2第二节歌剧《巴亚采特》的创作背景............
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