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ID:47403493
大小:649.50 KB
页数:14页
时间:2019-07-03
《元四家地艺术特征》由会员上传分享,免费在线阅读,更多相关内容在工程资料-天天文库。
1、实用标准上饶师范学院美术与设计学院毕业论文题目:元代山水画的美学特征学生姓名:徐青专业:美术学班级:09美(1)指导教师:彭尊善二○一三年三月文档大全实用标准摘要元代将中国山水画推向了一个高峰,以元四家为表的山水画对后世的影响很大。近代,随着山水画的不断发展,山水画的美学特征也受到越来越多的人的重视,为了探索如何完善山水画的美学特征,为以后的研究提供方向。本文首先介绍了元代的时代特征,然后通过对比列证论证以文入画,以画释道的美学特征,接着论证人品与画品的关系,从侧面论证文人隐士重视其中自身的修养,伦理的美学特征;其次是倪瓒山水画表现出“逸”的美学特征,以
2、及进一步通过举列法论证“逸笔草草与似与不似“的美学特征;最后论证是赵孟頫提出的“以书入画”“古意”的美学特征。中国的山水画不仅表现是人文气息,更多的是表现其内在美学特征,这有助于我们树立一个正确的美学观,对作品会有更深层次的理解。关键词山水画;逸笔;以书入画;不求形式,古意AbstractTheChineselandscapepaintingintoapeak,withfouryuanfortableeffectoflandscapepaintinginthelatergreat.Inmoderntimes,withthedevelopmentoflan
3、dscapepainting,aestheticcharacteristicsoflandscapepaintinghasbeenpaidmoreandmoreattentiontohowtoimprovetheaestheticfeatures,explorethelandscapepainting,providedirectionforfutureresearch.ThispaperfirstintroducesthecharacteristicsofthetimesintheYuanDynasty,thenthroughthecomparisono
4、fargumentinthepicturesquecolumns,todrawreleaseaestheticcharacteristicsofTao,thenprovetherelationshipbetweenpersonalityandartisticquality,attentiontotheself-cultivationfromthesidethatliteratirecluse,aestheticcharacteristicsofethics;secondistheNiZanlandscapepaintingshow"aestheticch
5、aracteristicsofYi",andfurtherbylistmethodargument"leisurelypenandthelikeanddonotlike"aestheticcharacteristics;finallyarguesisputforwardbyZhaoMengtiao,"artbook""old"aestheticfeatures.Chineselandscapepaintingnotonlyistheculturalatmosphere,moreistheperformanceofitsinherentaestheticc
6、haracteristics,whichishelpfulforustoestablishacorrectaestheticview,theworkswillhaveadeeperunderstanding.KeywordsLandscapepainting;Yibi;Amalgamationofpaintingandcalligraphy;Ignoringitsform;Ancientartisticconception文档大全实用标准目录绪论·······················································
7、····1一以文如画以画释道···········································1(一)文人隐逸与画以言志········································3(二)元代人品与画品的特殊性···································4二逸笔草草,抒情写意··········································4(一)逸格画品的确立·········································5(二)“逸笔草草”与“似与不
8、似”······························6三笔情墨趣的独
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