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1、EmbodimentofTaoistthoughtinthe"landscapeemotion"ofChineseinkandwashcartoonchenchuanzhiAbstract:inkcartoon'landscape11isaclassicinthehistoryofChineseanimationart,therichethnicstyleofthefilmChineseexcellenttraditionalculturalthoughtsareembodiedinthearrangementofplots
2、tructure,inkpaintingtechniquesandtheuseofthebackgroundmusicrhythm,especiallyembodimentofTaoistthought.''Mountainsandrivers/1thestoryissimple,richincontent,isamilestoneintraditionalChineseinkanimationworks.Keywords:waterinkanimation'landscapeemotion11Taoismthought"L
3、andscapersawellknowninkanimation,thefilmisproducedbyShanghaiAnimationFilmStudiomadein1988,isChineseinkanimationsummit.Itsplotisrichinconnotation,fullofphilosophy・Thetechniqueofexpressionofthefilmpicturesandtheartisticconceptionisfar-reaching,willChina'straditionall
4、andscapefreehandpaintingpayattentionto"lifelikeness,vacuousness”successfullyandanimationtechnologytogether.nScenic”mostoutstandingachievementisnotonlyofinkanimationtechniquesskillfuluseof,moreimportantsignificaneeliesinitistheembodimentofChinesetraditionalculturean
5、dideology,especiallytheembodimentofTaoism.TaoismcultureisanimportantpartofChinesetraditionalideologyandculture.IthaslaidthefoundationforthedevelopmentoftraditionalChinesethoughtandculture.ThroughthecomprehensiveanalysisofthewaterinkanimationJandscapesentiment：wewil
6、lcontaintheTaoismthoughtasfollows:First,theanimationplotinthepursuitof”harmonybetweenmanandnature11FilmdirectorYanShanchunoncesaid:Hwaterandinkanimationnotcomeoutofthinair,therequirementsofthescriptisveryhigh,thescriptmustforinkandwashpaintings,thesuccessofthe11see
7、nic"canspeakingandWangShuchenscriptareinseparable."'landscapeemotion11inthewholeanimationplotdesignhasalwaysbeenthecorethemeoftheTaoistthought-"harmonybetweenmanandnature,,n.TheTaoist"heavenandman”coveredbytheobjectisusuallyonlytwo:daysandpeople,thatisHthewayofheav
8、erTand"people'sway'1.Theso-called"heaven"iscollectivelyreferredtoas"heavenallthings1'intheobjectivelaw,andMtheway1'referstothesubjectivestateofth
