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时间:2019-11-29
《材料对西方绘画风格演变的重要性研究》由会员上传分享,免费在线阅读,更多相关内容在行业资料-天天文库。
1、材料在西方绘画风格演变过程中的重要性研究目录摘要·····································································································································3Abstract····························································································································3第一章材料概
2、述··············································································································41.1材料概念的界定········································································································41.2材料的审美性·····························································
3、················································41.2.1质感美··················································································································41.2.2肌理美··················································································································51.
4、2.3材料的心理美·····································································································5第二章西方早期绘画材料的发展·················································································52.1岩画·····················································································
5、········································52.2陶绘·····························································································································6·2.3壁画·······················································································································
6、······62.4蜡花·····························································································································6·第三章绘画材料与绘画技法·························································································63.1蛋油乳剂与程式化写实···········································
7、·················································63.1.1蛋彩画···············································································································63.1.2坦培拉混合技法····································
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