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1、Studyofthe"pettybourgeoisie"imageofPost-80sfemaIewritersAbstractLiteraryworksoffemalewritersPost-80sispopularofyoungreaders,althoughoftencriticizedbecauseoftheemptywordsandnihilismcharacteristic,butstillwithahugeaudienceintheliteraryofmarket.Currently,academicresearchonu
2、Post-80sHworksoffemalewritersstillininfancy,thisarticleputsattentiontothe"pettybourgeoisie11image,classification,elaboratedandresearchtheirnovels,theirdifferent"pettybourgeoisie11image.Thisarticledividedintothreeparts.Thefirstpartistheconceptandasummaryofthepettybourgeoi
3、sieimage.Thefirstsectionistheconceptofthepettybourgeoisie,outlinedtheconceptofevolutionfrom"bourgeoisie”to"pettybourgeoisie”.Thesecondsection,fromthe"MayFourthMovement”totheeighties,femalewritersfictionfemalecharacterswerepettybourgeoisiediachronicdescriptionandfurtherel
4、aboratethereasonsforitsgeneration.Thethirdsection,analyzestheliteratureofthe1990s,withWeiHui,MiamMianasrepresentativesof”70”WomenWritersofthe"pettybourgeoisie11image.Thesecondpartisthefocusofthisarticle,focusingontheanalysisofthedifferentperspective"pettybourgeoisienimag
5、eofPost-80sfemalewriters.ThispaperselectedsixPost-80sfemalewriters:ZhangYueran,ZhouJianing,ChunShu,SuDe,ZhuJing,andLuoLuo,willbestudiedthemfromthreePerspective.Thefirstsection,ZhangYueranandZhouJianingshapeHpettybourgeoisie'1intheperspectiveoffemaleliterary,whosePettycha
6、racteristicsare"autistic"and"homeless".ThesecondSectionisstudiedfromtheperspectiveofsubculture,focusingonanalysisChunShuandSude,whosePettycharacteristicsareHpseudo-punkrebelnandncoldsickn.Thethirdsection,fromtheperspectiveoffashionculture,analyzesZhuJing^s"lady”pettyimag
7、eandLuoLuoHwaywardgirlsHpettyimage.Thethirdpartisstudiedthegeneratedmotivationof"pettybourgeoisie11image.Thispartanalyzedfromthreesections.Thefirstsection,Hgetridoftherevolution”influence"pettybourgeoisie11imageofPost-80sfemalewritersunderofHpost-revolutionary11backgroun
8、d.ThesecondsectionanalyzesconsumerismmarketenvironmentinfluenceHpettybourgeoisie”imageofPost-80sfemalew
