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1、NewLiteraryHistoryaftertheEndoftheNewFredricJamesonnwhatfollowsIwanttosaysomethingabouttheculturalpro-Iductionofthefuture,andanysuchspeculationswillinevitablyimplysomethingaboutthehistoriesofthatculturalproductionthatwemayexpecttoaccompanyit(orindeedtofo
2、llowitandtosumitup).Butthatisnecessarilyanexerciseinfuturology,andsoyouwillnotbesurprisedtofindmeshiftingintoascience-fictionalmode.Forthemo-ment,let’sremaininasociologicalone.Anytalkaboutthefuturemustfirstconfrontglobalizationasitsabso-lutehorizon:thete
3、rmcanhaveanynumberofsynonyms.Marxcalledituniversalization,butalsotheworldmarket,atermthatcertainlyremainsusefulforustoday.Asastageincapitalism,Icallitlate,whileotherscallitflexibleorinformational.Andasaculturalformation,Ihaveanalyzeditaspostmodernity,ate
4、rmnoteveryoneaccepts,andeventhosewhodoarenotnecessarilyinagreement—tendingtolimititsmeaningtophilosophiesofrelativism(ifyoudislikeit)orofantiessentialismandantifoundationalism(ifyougreetitwithenthusiasm).I’llcomebacktothepostmodernlateron.Globalizationca
5、nknowitsinterpretiverevisionsaswell:somecallit,forexample,Americanization,acharacterizationIunderstandbutfeeltobeslightlymisleading,asI’lltrytoshow.Somethinkthatitisnoth-ingnew,goingallthewaybacktotheneolithictraderoutes.That’strue,too,butIfeelthatitismo
6、reusefultoinsistonthehistoricorigi-nalityofthisstage,inwhichinternationalrelationsbecomedominantratherthansecondaryorincidental.Infact,whatweconfronttodayisanimmenseinternationaldivisionoflabor,whichhascertainlybeenanticipatedatcertainmomentsofthepast,bu
7、thasnowbecomebothuniversalandirreversible,withconsequencesforculturefullyasmuchasforeconomics.I’vetriedelsewheretoshowthatthisnewphenomenonmustbegraspeddialectically,orinotherwordsasaunionofopposites,assomethingthatcanbecelebratedjustasmuchasitcanbegreet
8、edwithdystopianfearandforeboding.Indeed,onthelevelofculture,globalizationmostlyhasbeengreetedpositively,aswhenwepointtoitsimmensenewcommuni-cationalandinformationalpossibilities,andrejoiceinthedemocratiza-NewLiteraryHistor