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1、2Atpresent,scieneehasbeendevelopingatahighspeed,butpeoplestillhaveahighopinionofartists.Whatcantheartstellusofthelifethatscieneecannot?ScienceandArtThelimitationsofscieneearethemostevidentinattemptstousescientificmethodstounveilthesecretsofart.Science'knowseverythi
2、ng*aboutthegrandpiano:thenumber,qualityandlengthofitsstrings;thespeciesofwoodused;thecompositionoftheglue,andthefinestdetailsofitsdesign.Nevertheless,itisunabletoexplainwhathappenstothispolishedboxwhenavirtuosositsdowntoplay.Perhapsthisisevenunnecessary.Apersoncryi
3、ngoverabookdoesnotusuallyconcernhimselfwiththemeanstheauthorusedtoachievethiseffect.Hecan,ofcourse,atalaterdatereadacriticalwork,twiceasthick,onthebookthathasimpressedhimso.Thisall,however,willresembleanautopsy,athingnecessaryforspecialistsbutextremelyunpleasantfor
4、mostpeople.MarcusAureliuswrotethat*todespisesongsanddances,itissufficienttodecomposethemintotheircomponentelements'・ButArtiswise-throughalltheagesithasguardedtheintangibletruthofsensualperceptionsfromthepersistentintrusionsofprobingscienee.Arthasalwaysbeenvaluedpre
5、ciselyforitscapacityto'remindusofharmoniesinaccessibletosystematicanalysis'.Anyonecanunderstandtheconstructionofanilclearreactorevenifhehasneverseenone.Butitisabsolutelyimpossibletoexplaintoapersonwhatcharmisifhehasneverbeenenchanted.Themightofscieneeliesinitsunive
6、rsality.Itslawsarefreeofthearbitrarinessofpeople,itonlyrepresentstheircollectiveexperienee,independentofage,nationality,orframeofmind.*Thesecretofartisitsinimitability.Thepowerofitsinflueneedependsonthewholebodyofthepreviousexperieneeofaperson,onthewealthofhisassoc
7、iations,onelusivechangesinhismood,onachaneeglance,word,ortouch・onallthatconstitutestheindividuality,thebeautyofthetransientandthepoweroftheinimitable.Thehighestachievementforascientistsistohavehisfindingsconfirmed,i.e.repeatedbyanotherscientist.Ontheotherhand,samen
8、esskillsart,andsoagreattragicactor'dies'onthestageinanewwayeachnight.Casesareknownofsymphoniescomposedbypersonswithouteventherudimentsofaformalmu