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1、PoetryandDramalowedbyherlongerspeech-isveryremarkable.Inthispattern,onefeelsthatitisJuliet'svoicethathastheleadingpart:tohervoiceisassignedthedominantphraseofthewholeduet:Mybountyisasboundlessasthesea,Myloveasdeep:themoreIgivetotheeThemoreIhave,forbothareinfinite.Th
2、eThreeVoicesofPoetrylAndtoJulietisgiventhekey-word"lightning"whichoccursagainintheplay,andissignificantofthesuddenanddisastrouspowerhefirstvoiceisthevoiceofthepoettalkingtohimselfofherpassion,whenshesaysortonobody.Thesecondisthevoiceofthepoetaddress'Tislikethelightn
3、ing,whichdothceasetobeTinganaudience,whetherlargeorsmall.ThethirdistheEreonecansay"itlightens'.voiceofthepoetwhenheattemptstocreateadramaticcharacterInthisscene,Shakespeareachievesaperfectionofversewhich,speakinginverse;whenheissaying,notwhathewouldsayinhisbeingperf
4、ection,neitherhenoranyoneelsecouldexcel-forownperson,butonlywhathecansaywithinthelimitsofonethisparticularpurpose.Thestiffness,theartificiality,thepoeticimaginarycharacteraddressinganotherimaginarycharacter.Thedecoration,ofhisearlyversehasfinallygivenplacetoasimplif
5、icadistinctionbetweenthefirstandthesecondvoice,betweenthetiontothelanguageofnaturalspeech,andthislanguageofconpoetspeakingtohimselfandthepoetspeakingtootherpeople,versationagainraisedtogreatpoetry,andtogreatpoetrywhichpointstotheproblemofpoeticcommunication;thedisti
6、nctionisessentiallydramatic:forthescenehasastructureofwhicheachbetweenthepoetaddressingotherpeopleineitherhisownvoicelineisanessentialpart.oranassumedvoice,andthepoetinventingspeechinwhichimaginarycharactersaddresseachother,pointstotheproblemofthedifferencebetweendr
7、amatic,quasi-dramatic,andnon-dramaticverse.Iwishtoanticipateaquestionthatsomeofyoumaywellraise.Cannotapoembewrittenfortheear,orfortheeye,ofonepersonalone?Youmaysaysimply,"Isn'tlovepoetryattimesaformofcommunicationbetweenonepersonandoneother,withnothoughtofafurtherau
8、dience?'Thereareatleasttwopeoplewhomighthavedisagreedwithmeonthispoint:Mr.andMrs.RobertBrowning.Inthepoem"OneWordMore"writtenasanepiloguet
