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1、InAudio-Vision,theFrenchcomposer-filmmaker-criticMichelChionpresentsareassessmentoftheaudiovisualmediasincesound'srevolutionarydebutin1927andshedslightonthemutualinflu•encesofsoundandimageinaudiovisualperception.Chionexpandsontheargumentsfromhisinfluentialtrilogyonsoundincinema—LaVoixaucinema,LeSon
2、aucinema,andLaToiletrouee—whileprovidinganoverviewofthefunctionsandaestheticsofsoundinfilmandtelevision.Heconsiderstheeffectsofevolvingaudiovisualtechnologiessuchaswidescreen,multi-tracksound,andDolbystereoonaudio-vision,influencesofsoundontheperceptionofspaceandtime,andcontemporaryformsofaudio-vis
3、ionembodiedinmusicvideos,videoart,andcommercialtelevision.Hisfinalchapterpresentsamodelforaudiovisualanalysisoffilm.WalterMurch,whocontributestheforeword,hasbeenhon•oredbyboththeBritishandAmericanMotionPictureAcademiesforhissounddesignandpictureediting.Heisespeciallywell-knownforhisworkonTheGodfath
4、er,TheConversation,andApoc•alypseNow."MichelChionistheleadingFrenchcinemascholartostudythesoundtrack....Iknowofnowriterinanylanguagetohavepublishedasmuchinthisarea,andofsuchuniformlyhighquality,a,he."ALANW
5、LUAMSRUTGERSUNIVERSITYMICHELCHIONisanexperimentalcomposer,adirectorofshortfilms,andacriticfor
6、Cahiersducinema.Hehaspub•lishedbooksonscreenwriting,JacquesTati,DavidLynch,andCharlieChaplin,inadditiontohisfourbooksonfilmsound.CLAUDIAGORBMANisaProfessorintheLiberalStudiesProgramattheUniversityofWashington,Tacoma.Jacketillustration:EratorhmadbyDavidLynch,1976.Jacketdesign:JohnCostaPrintedinU.S.A
7、.COLUMBIAUNIVERSITYPRESSNEWYORKAUDIO-VISION4AUDIO-VISION•••SOUNDONSCREENMichelChion•••editedandtranslatedbyClaudiaGorbmanwithaforewordbyWalterMurchCOLUMBIAUNIVERSITYPRESS•NEWYORKColumbiaUniversityPresswishestoexpressitsappreciationofassistancegivenbythegovernmentofFrancethroughLeMinisteredelaCultu
8、reinthepreparationofthetranslation.CONTENTSColumbiaUniversityPressNewYorkChichester,WestSussexForewordbyWalterMurchvii•PrefacexxvL'Audio-Vision©1990EditionsNathan,ParisCopyright©1994ColumbiaUniversityPressP
