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1、ApuleiusandGothicNarrativeinCarter’sTHELADYOFTHEHOUSEOFLOVEAngelaCarter’s“TheLadyoftheHouseofLove”clearlyowesitsseduc-tiveanddestructivevampiric“lady”toanumberofprecedentsinbothfan-tasyandvampireliterature.However,antecedentsforthe“houseoflove”arefarmoreelusive.The“houseoflove”borrow
2、sfromastrology,medievalliterature,andpopularculturewithequalfluency,butnoneofthesecategoriessuccessfullyrevealtheintricatecharacterofthistheme.Readingthe“houseoflove”literallyasahomefortheprincipalofloveprovidesafarmorecompellingallusiontoCarter’sthemesoflove,death,andsexualawakening
3、.Provocatively,Apuleius’sancientfairytale“CupidandPsyche”islocatedinhousesthatbelongtoAphrodite,thegoddessoflove,andherdesirableson,Eros.1Furthermore,Apuleius’stextitselffunctionsasbothagothicnarrative(perhapstheoriginalgothictext)andaprototypeforthecontemporaryfairytale.Carter’smeta
4、textualrelationshipwithApuleius’snarrativeallowshertoinvertconventionsofbothgothicandfairy-taleliterature.Thestoryof“CupidandPsyche”isrifewithfairy-taletropesandgothicthemes.HumanPsyche,atypicalbeauty,immediatelyattractstheattentionofherrival,thegoddessAphrodite,bystealingherworshipp
5、ers.Asingothicnarrative,ApuleiususesdomesticthemestoexpressAphrodite’slackofagen-cy:her“shrineswerefallingintoruin;hercushionsweretrampledon”;“oldashes”even“laydirtyingthedesolatealtar”(105).Aphroditevowsrevenge;Psycheisorderedtomarryawingedserpentwhowillbearherawaytoanincipientdevou
6、ringanddeath.Apuleiusfusesthemesofloveanddeathintoagothicformulation;sexualinitiationdoublesasdestruction.Psyche,tricked,isborneawaytoEros’sopulentpalacefilledwithmute,ghostlyservants;themonsterfailstoappear.The“houseofEros”corruptsevenasitfascinates.IdlePsycheenjoyswealth,jewels,and
7、fineclotheswhileawaitingtheinevitableconsummationofhermar-riage.Thehouse,throughthemechanismofitssupernaturalservants,iscom-plicitinthiseducation.Psycheisprovidedwith“suchthingsaswerenecessaryforherdefloration,”asuggestiveblendofhouse,haunting,monster,andsexintoone,essentiallygothic,
8、configuratio