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1、MannerismandModernArchitectureFirstpublishedintheArchitecturalReview,1950.Thoughthislittlcpiecc,particularlyinitsdiscussionofCubism,hasbeenpainfultomesincebeforethedayofitspublication,ithasherebeenallowedtostandsubstantiallyaspublished.Thoughapresentdayrehearsalofitsarguments(inwhichIstillbelieve)
2、wouldsurelyemployaprofoundlydifferentstrategy,becausethisarticlehaslongen-joyedacertainnotorietyIcanseenowayofcorrectingitsobscuritiesandmaintainingitssense.TodaythearthistoricaldiscussionofMannerismhasachievedlevelsofsophistica-tionanddetachmentwhichc.1950weresimplynotavailable;but,ontheotherhand
3、,itisnotevidentthatthemodernarchitect'sconsciousnessofsixteenthcenturythemeshasbeenconsiderablyadvanced.Therearestilltwobodiesofinformation-theonearthistorical,theothermodernarchitectur-al-andthepossibilitiesoftheirconvergenceinaworkofrationalexegesisstillremainremote.Sinccthewritingofthisarticlet
4、heinitiativesofRobertVenturihave,tosomeextent,illuminatedthesituation.Neverthe-less,whileVenturihasbeenquiteunabashedinhisparadeofelementsofManneristoriginandwhile,bythesemeans,hehasextendedthetheaterofarchitecturaldiscourse,thethememodernarchitectureandMannerismstillawaitstheextendedandpositivein
5、ter-pretationwhichitdeserves.30MannerismandModernArchitectureLeCorbusier'sVillaSchwobatLaChaux-de-Fondsof1916(Plates17,18),hisfirstconsiderableworktoberealized,inspiteofitsgreatmeritsandobvioushis-toricalimportance,findsnoplaceinthecollectionoftheOeuvrecomplete;anditsabsenceisentirelyunderstandabl
6、e.Thisbuildingisobviouslyoutofkeywithhislaterworks;and,byitsinclusionwiththem,thedidacticemphasisoftheircollectionmighthavebeenimpaired.Buttheomissionisallthemoreunfortu-nate,inthatsixyearslater,thebuildingwasstillfoundsufficientlyserioustobepublishedasanexemplarofproportionandmonumentality.'Theho
7、useisofnearlysymmetricalform;and,inspiteofagenerallightnessderivingfromitsconcreteframe,itsconventionalcharacterisfairlyemphatic.Theprincipalblockissupportedbyflankingwings;andacentralhall,risingthroughtwostories
