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《From Vérité to Post-Vérité A Critical Analysis of Chinese “New Documentaries从真理的真理：to后批判了中国的“新documentaries》由会员上传分享，免费在线阅读，更多相关内容在行业资料-天天文库。
1、FromVéritétoPost-Vérité:ACriticalAnalysisofChinese“NewDocumentaries”AthesispresentedtothefacultyoftheCollegeofFineArtsofOhioUniversityInpartialfulfillmentoftherequirementsforthedegreeMasterofArtsChiWangNovember2009©2009ChiWang.AllRightsReserved.2ThisthesistitledFromVéritétoPost-Véri
2、té:ACriticalAnalysisofChinese“NewDocumentaries”byCHIWANGhasbeenapprovedfortheSchoolofFilmandtheCollegeofFineArtsbyLouis-GeorgesSchwartzAssistantProfessorofFilmCharlesA.McWeenyDean,CollegeofFineArts3ABSTRACTWang,Chi,M.A.,November2009,FilmFromVéritétoPost-Vérité:ACriticalAnalysisofChi
3、nese“NewDocumentaries”(72pp.)DirectorofThesis:Louis-GeorgesSchwartzThisstudyexplorestheforms,styles,subjectsofChinesenewdocumentaryfromacomparativeandhistoricalperspective.Iarguethatsincetheearly1990s,amodecombiningdirectcinemaandcinemavéritéhasbeenwidelyadoptedinChinesedocumentary.
4、Theothermodesincludingtheobservationalmode,theparticipatorymode,thereflexivemodealsoemergedinthe90s.ForChinesedocumentary,the90scanbetermedasthevéritéage.Intheendofthe1990s,signifiedbythedocumentaryYingandBai(1999),Chinesedocumentarybegantobreakthefetterofdirectcinemaandopenedupanew
5、roadtotheperformativedocumentary.ItisarguedthatChinesedocumentarybegantoenterthepost-véritéage.Inthisstudy,ItrytoputtheformalandstylechangesofChinesedocumentaryintothespecificsocialandhistoricalcontext.The“Xinyingmode”,whichhadbeendominatingChinesedocumentaryproductionsincetheestabl
6、ishmentofthePRCin1949,isdiscussedindetail.Besides,the1980sisimportantforourdiscussionofthe90snewdocumentary,sinceitisinthisperiodthatChinesenewdocumentarybegantotakeshape.Approved:_____________________________________________________________Louis-GeorgesSchwartzAssistantProfessorofF
7、ilm4TABLEOFCONTENTSPageAbstract...............................................................................................................................3Introduction................................................................................................................
8、.........5Part1:The
