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1、1956ANDALLTHATIsitpossibletolookbackbeyondanger?ItissaidthatBritishdramawasshockinglyliftedoutofthedoldrumsbythe‘revolutionary’appearanceofJohnOsborne’sLookBackinAngerattheRoyalCourtinMay1956.ButhadthetheatrebeenasephemeralandeffeminateastheAngryYoung
2、Menclaimed?WastheeraofTerenceRattiganand‘Binkie’Beaumontasrepressedandclosetedasitseems?Inthisboldandfascinatingchallengetothereceivedwisdomofthelastfortyyearsoftheatricalhistory,DanRebellatouncoversadifferentstoryaltogether.ItisonewhereBritain’sdecli
3、ningEmpireandincreasingpanicoverthe‘problem’ofhomosexualityplayedacrucialroleintheconstructionofanenduringmythofthetheatre.Bygoingbacktoprimarysourcesandrigorouslyquestioningallassumptions,RebellatohasrewrittenthehistoryofthemakingofmodernBritishdrama
4、.Playsdiscussedinclude:LookBackinAnger,TheEntertainer,PersonalEnemy,EpitaphforGeorgeDillon—JohnOsborne;TheKitchen,ChickenSoupWithBarley,Roots,I’mTalkingAboutJerusalem—ArnoldWesker;JohnsonOverJordan—J.B.Priestly;EachHisOwnWilderness—DorisLessing;Serjea
5、ntMusgrave’sDance—JohnArden;Cockpit—BridgetBoland;TheShadowFactory—AnneRidler;ATasteofHoney—ShelaghDelaney;SaladDays—JulianSlade;andValmouth—SandyWilson.DanRebellatolecturesinDramaandTheatreatRoyalHolloway,UniversityofLondon.1956ANDALLTHATThemakingofm
6、odernBritishdramaDanRebellatoLondonandNewYorkFirstpublished1999byRoutledge11NewFetterLane,LondonEC4P4EESimultaneouslypublishedintheUSAandCanadabyRoutledge29West35thStreet,NewYork,NY10001ThiseditionpublishedintheTaylor&Francise-Library,2002.©1999DanReb
7、ellatoTherightofDanRebellatotobeidentifiedastheAuthorofthisWorkhasbeenassertedbyhiminaccordancewiththeCopyright,DesignsandPatentsAct1988Allrightsreserved.Nopartofthisbookmaybereprintedorreproducedorutilisedinanyformorbyanyelectronic,mechanical,orother
8、means,nowknownorhereafterinvented,includingphotocopyingandrecording,orinanyinformationstorageorretrievalsystem,withoutpermissioninwritingfromthepublishers.BritishLibraryCataloguinginPublicationDataAcataloguerecordforthisbookisavailablefromtheB