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1、ThispageintentionallyleftblankTheCambridgeCompaniontoShakespeareanComedyThisisanaccessible,wide-rangingandinformedintroductiontoShakespearescomediesandromances.Ratherthantakingeachplayiniso-lation,thechapterstracerecurringissues,suggestingboththecontinuityandthevarietyofShakespearespracticean
2、dthecreativeusehemadeoftheconven-tionsheinherited.ThefirstsectionputsShakespeareinthecontextofclassicalandRenaissancecomedyandcomictheory,theworkofhisElizabethanpre-decessors,andthetraditionsofpopularfestivity.ThesecondsectiontracesanumberofthemesthroughShakespearesearlyandmiddlecomedies,darkc
3、omediesandlateromances,establishingthekeyfeaturesofhiscomedyasawholeandilluminatingparticularplaysbycloseanalysis.Individualchaptersdrawoncontemporarypolitics,rhetoric,andthehistoryofShakespearepro-duction.Writtenbyexpertsintherelevantfields,thechaptersbringthereaderuptodateoncurrentthinkingan
4、dfrequentlychallengelong-standingcriticalassumptions.alexanderleggattisProfessorofEnglishatUniversityCollege,UniversityofToronto.AmonghisbooksareCitizenComedyintheAgeofShakespeare(1973),ShakespearesComedyofLove(1974),BenJonson:hisVisionandhisArt(1981),EnglishDrama:ShakespearetotheRestoration,
5、15901660(1988),ShakespearesPoliticalDrama(1988),JacobeanPublicTheatre(1992),EnglishStageComedy14901990:FiveCenturiesofaGenre(1998)andIn-troductiontoEnglishRenaissanceComedy(1999).CAMBRIDGECOMPANIONSTOLITERATURETheCambridgeCompaniontoGreekTheCambridgeCompaniontoAmericanTragedyRealismandNatural
6、ismeditedbyP.E.EasterlingeditedbyDonaldPizerTheCambridgeCompaniontoOldEnglishTheCambridgeCompaniontoLiteratureNineteenth-CenturyAmericaneditedbyMalcolmGoddenandWomensWritingMichaelLapidgeeditedbyDaleM.BauerandPhilipGouldTheCambridgeCompaniontoMedievalTheCambridgeCompaniontotheClassicRomanceRu
7、ssianNoveleditedbyRobertaL.KreugereditedbyMalcolmV.JonesandRobinFeuerMillerTheCambridgeCompaniontoMedievalEnglishTheCambridgeCompaniontotheFrenchTheatreNovel:from1800tothepresenteditedbyRichardBeadleeditedbyTimothyUnwinTheCambridgeCompanionto
