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1、PopularCommunicationISSN:1540-5702(Print)1540-5710(Online)Journalhomepage:http://www.tandfonline.com/loi/hppc20FandomintheDigitalEraRobertaPearsonTocitethisarticle:RobertaPearson(2010)FandomintheDigitalEra,PopularCommunication,8:1,84-95,DOI:10.1080/1540570
2、0903502346Tolinktothisarticle:https://doi.org/10.1080/15405700903502346Publishedonline:04Feb2010.SubmityourarticletothisjournalArticleviews:18457Citingarticles:28ViewcitingarticlesFullTerms&Conditionsofaccessandusecanbefoundathttp://www.tandfonline.com/act
3、ion/journalInformation?journalCode=hppc20PopularCommunication,8:84–95,2010Copyright©Taylor&FrancisGroup,LLCISSN:1540-5702print/1540-5710onlineDOI:10.1080/15405700903502346HPPC1540-57021540-5710PopularCommunication,Vol.8,No.1,Dec2009:pp.0–0PopularCommunicat
4、ionFandomintheDigitalEraFandominTheDigitalEraPearsonRobertaPearsonUniversityofNottinghamThisessaytracestheprofoundimpactofthedigitalrevolutionuponfandom,lookingparticularlyatdebateswithinthefanandacafancommunities.Itarguesthatfanshavealwaysbeenattheforefro
5、ntofmediaindustrytransformations,summarizessomeofthecommonthemesemerginginthedebate,andconsidersthewiderimplicationsforthereconfiguredrelationshipsbetweenproducerandcon-sumerinthedigitaleconomy.Thedigitalrevolutionhashadaprofoundimpactuponfandom,empowering
6、anddisempow-ering,blurringthelinesbetweenproducersandconsumers,creatingsymbioticrelationshipsbetweenpowerfulcorporationsandindividualfans,andgivingrisetonewformsofculturalproduction.Somefansrevelinthenewopportunitiespresentedbydigitaltechnologies,whileothe
7、rslamentthedigitallyenabledencroachmentofcorporatepowerintoeveryspaceoffandom.FansandacafanshaveforsometimebeendebatingtheeffectofthesenewdynamicsuponfanpracticesandfancommunitieswithinblogsandonlinejournalssuchasFlowandTheJournalofTransformativeWorksandCu
8、ltures.AlthoughtherehasbeensomemovementintotheacademicmainstreamviatherecentCinemaJournal“InFocus:FandomandFeminism:GenderandthePoliticsofFanProduction,”thedebatedeserveswiderconsideration.Theissuesraisedbyfa