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1、Sappho .TheAlexandrians includedherinthelistof ninelyricpoets.Herbirthwassometimebetween630and612BCE,anditissaidthatshediedaround570BCE,butlittleisknownforcertainaboutherlife.Thebulkofherpoetry,whichwaswell-knownandgreatlyadmiredthroughmuchofantiquity,hasbe
2、enlost,butherimmensereputationhasenduredthroughsurvivingfragments.Sappho'slifetimewitnessedaperiodofpoliticalturbulenceon Lesbosandsawtheriseof Pittacus.Accordingtothe ParianMarble,SapphowasexiledtoSicilysometimebetween604BCEand594BCEand Cicerorecordsthatas
3、tatueofherstoodinthetown-hallofSyracuse.Unliketheworksofherfellowpoet, Alcaeus,Sappho'ssurvivingpoetryhasveryfewallusionstopoliticalconditions.TheprincipalexceptionisFragment98,whichmentionsexileandindicatesthatSapphowaslackingsomeofhercustomaryluxuries.Her
4、politicalsympathiesmayhavelainwiththepartyofAlcaeus. Thoughthereisnoexplicitrecordofthis,itisusuallyassumedthatSapphoreturnedfromexileatsomepointandthatshespentmostofherlifeinLesbos.DavidCampbellhasbrieflysummarizedsomeofthemostarrestingqualitiesofSappho'sp
5、oetryClarityoflanguageandsimplicityofthoughtareeverywhereevidentinourfragments;witandrhetoric,socommoninEnglishlove-poetryandnotquiteabsentfromCatullus'lovepoems,arenowheretobefound.Herimagesaresharp—thesparrowsthatdrawAphrodite'schariot,thefullmooninastarr
6、ysky,thesolitaryredappleatthetree-top—andshesometimeslingersoverthemtoelaboratethemfortheirownsake.Shequotesthedirectwordsofconversationsrealorimaginaryandsogainsimmediacy.Whenthesubjectistheturbulenceofheremotions,shedisplaysacoolcontrolintheirexpression.A
7、boveall,herwordsarechosenfortheirsheermelody:theskillwithwhichsheplacedhervowelsandconsonants,admiredbyDionysiusofHalicarnassus,isevidencedbyalmostanystanza;themusictowhichshesangthemhasgone,butthespokensoundsmaystillenchant.Outofover200remainingremnantsofS
8、appho’spoetry, Fragment16 andFragment44 inparticularareconsideredlyricretellingsof Homer epics,asSapphowasknowntobeveryfamiliarwithHomer’spoems. BothfragmentsmakedirectallusionstoscenesinHomer’s Iliad,