互动与整合——海派文化语境中的电影和文学

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1、浙江大学博士学位论文互动与整合——海派文化语境中的电影和文学姓名：盘剑申请学位级别：博士专业：文艺学·中国现当代文艺思潮指导教师：陈坚20031201洳；；文凌博士学位论文·AbstractABSTRACTThewriterdiscussesthefilmsofShanghai-stylecultureandtheliteraturerelatingtofilmsinthisacademicthesis．Heanalysesandresearchesrelatedtheoryandcreationaswellastherelatio

2、nshipbetweenfilmsandliteraturefromtheangleofculture．ThewriterthinksthatShanghai—stylecultureisakindofmodemandpopularliterature，whichhasabackgroundofindustrial，commercialandmoderncityandwhichwasborninthemodemandpopularsociety．Astheresultofmechanicalcivilizationandscienc

3、eandtechnology,thefilmisbothnewpatternartandtypicalproductofindustrialculture．Thefilmpossessesthefeatureofpopularcultureandmanifesisthefeature．Byanalysingthefilmcreation，culturaldemonstration，two·waychoicesforrevolutionaryliteratureandcommercialcultureand“Shentushi”byH

4、ongshen，thewriterpromulgatesthecomplexnature，theidentityofoppositesofShanghai—stylefilmtheory，creationandtherelationtoliterature．HelaysbarethemaincharacteristicofShanghai—stylefilms—thecoexistofmodernityandtradition，thecompatibilityofpoliticsandamusement，thecombination

5、ofartandcommerceandtheinteractionoffilmsandliterature，allofwhicharealsothefeaturesofShahghal—styleculture，Thewriterattemptstoestablishthecoordinatingrelationbetweenhistoryandrealityinthesimilarculturalbackground，pointingoutthatHuangiamo’Semphasisonfilm’Samusement，Liuna

6、ou’Sseekingpurevisual“film⋯Sfilms，thecooperationbetweenLeft—wingfilmsandcommercialfilmcompanies，Hongshen’SchangesfromnoncommercetocommerceandtheYuanyangandHudiaPal⋯Spromotingthesale”oftheirworksthroughliterarylovestoriesandethicalstoriesnotonlyhadtheculturalrationality

7、inthoseyearsbutalsothereismuchthatwecanmakeuseofinourfilms，literarycreationandcultureconstructionnowadays．KeFwords：Shanghai—sty】eCulture，Film，Literature3⑧加夕；z劳博士学位论文·第一章学术背景与研究起点第一章学术背景与研究起点尽管早在1947年杨晦就曾经指出，代表士大夫的京派是注定要没落的，“至于所谓海派的作家呢，虽然是跟工商业都市的兴起一样，是挟带着污浊和罪恶的，却要从这种污浊和

8、罪恶里逐渐成长，壮大起来，有着他们的进步性，有着他们光明的前途”o；甚至连鲁迅先生在二十世纪三十年代的“京海论争”中也以“要而言之，不过‘京派’是官的帮闲，‘海派’则是商的帮忙而已，但从官得食者其情状隐，对外尚能做然，从商得食者其情状