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1、--Cloisonné2Briefintroduction2Development2Examples2Pictures3NewYearpictures4Briefintroduction4Development4ProductionMethod4Theme4Pictures5Papercutting6Briefintroduction6Development6Classification6Pictures6Embroidery8Briefintroduction8Origin8Materials8Machine8Pi
2、ctures9Shadowplay10Briefintroduction10Development10Terminology10Pictures11---1---CloisonnéBriefintroductionCloisonnéisanancienttechniquefordecoratingmetalworkobjects,inrecentcenturiesusingvitreousenamel,andinolderperiodsalsoinlaysofcutgemstones,glass,andotherma
3、terials.TheresultingobjectscanalsobecalledcloisonnéThe.decorationisformedbyfirstaddingcompartments(cloisonsinFrench)tothemetalobjectbysolderingoraffixingsilverorgoldwiresorthinstripsplacedontheiredges.Theseremainvisibleinthefinishedpiece,separatingthedifferentc
4、ompartmentsoftheenamelorinlays,whichareoftenofseveralcolors.Cloisonnéenamelobjectsareworkedonwithenamelpowdermadeintoapaste,whichthenneedstobefiredinakiln.DevelopmentThetechniquewasinancienttimesmostlyusedforjewelleryandsmallfittingsforclothes,weaponsorsimilars
5、mallobjectsdecoratedwithgeometricorschematicdesigns,withthickcloisonwalls.IntheByzantineEmpiretechniquesusingthinnerwiresweredevelopedtoallowmorepictorialimagestobeproduced,mostlyusedforreligiousimagesandjewellery,andbythenalwaysusingenamel.Bythe14thcenturythis
6、enameltechniquehadspreadtoChina,whereitwassoonusedformuchlargervesselssuchasbowlsandvases;thetechniqueremainscommoninChinatothepresentday,andcloisonnéenamelobjectsusingChinese-derivedstyleswereproducedintheWestfromthe18thcentury.ExamplesEnamelThe8th-centuryIris
7、hArdaghChaliceTheAlfredJewel,a9th-centuryAnglo-SaxonornamentTheKhakhulitriptych,alargegoldaltarpiecewithover100GeorgianandByzantineplaques,datingfromthe8thto12thcenturies,saidtobethelargestenamelledworkofartintheworld.theeyesofthe10thcenturyGoldenMadonnaofEssen
8、The12thcenturyMosanStavelotTriptych,combiningcloisonnéandchamplevéwork.GemsandglassThePectoralofTutankhamun,(image),andseveralothers.The5thcenturygravegoodsofChildericI,last
