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1、LIVINGROOMWARSLivingRoomWarsbringstogetherIenAng’srecentwritingsonmediaaudiencestoaskwhatitmeanstoliveinaworldsaturatedbymedia.Whatdoesourmediaaudiencehoodsayaboutoureverydaylivesandsocialrelations,andhowdoesitilluminatetheconditionofcontemporaryculture?Angsuggeststha
2、twecannotunderstandmediaaudienceswithoutdeconstructingthecategoryof‘audience’itselfasaninstitutionalanddiscursiveconstruct.Heraccessiblestylethrowslightonsomeofthecomplexitiesofmediaconsumptioninapostmodernworld,includingthoserelatedtogenderpoliticsandtheglobalization
3、ofculture.LivingRoomWarspointstotheinherentlycontradictorynatureofthemedia’sroleinshapingouridentities,fantasiesandpleasures,imbricatedastheyareintheexigenciesofcapitalistconsumptionandtheinstitutionsofthemodernnation-state.LivingRoomWarspresentsanindispensabletoolfor
4、bridgingaudiencestudies,mediastudiesandthelargerconcernsofculturalstudies.IenAngisProfessorofCulturalStudiesattheUniversityofWesternSydney,Nepean,Australia.SheistheauthorofWatchingDallas(1985)andDesperatelySeekingtheAudience(1991).LIVINGROOMWARSRethinkingmediaaudience
5、sforapostmodernworldIenAngLondonandNewYorkFirstpublished1996byRoutledge11NewFetterLane,LondonEC4P4EEThiseditionpublishedintheTaylor&Francise-Library,2006.“TopurchaseyourowncopyofthisoranyofTaylor&FrancisorRoutledge’scollectionofthousandsofeBookspleasegotohttp://www.eb
6、ookstore.tandf.co.uk/.SimultaneouslypublishedintheUSAandCanadabyRoutledge29West35thStreet,NewYork,NY10001©1996IenAngAllrightsreserved.Nopartofthisbookmaybereprintedorreproducedorutilizedinanyformorbyanyelectronic,mechanical,orothermeans,nowknownorhereafterinvented,inc
7、ludingphotocopyingandrecording,orinanyinformationstorageorretrievalsystem,withoutpermissioninwritingfromthepublishers.BritishLibraryCataloguinginPublicationDataAcataloguerecordforthisbookisavailablefromtheBritishLibraryLibraryofCongressCataloguinginPublicationDataAcat
8、aloguerecordforthisbookisavailablefromtheLibraryofCongressISBN0-203-12943-1Mastere-bookISBNISBN0-203-17628-6(AdobeeReaderFor