大提琴曲《路》音乐分析与演奏诠释

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1、分类号：J6密级：无学校代码：10414学号：2014200012硕士专业学位研究生学位论文大提琴曲《路》音乐分析与演奏诠释Analysisofmusicandperformanceofcellosong《theroad》学生姓名：郭鸿瑜院所：音乐学院导师姓名：张湧学位类别：专业硕士学科专业：音乐研究方向：管弦乐器演奏二〇一七年三月I万方数据独创性声明本人声明所呈交的学位论文是本人在导师指导下进行的研究工作及取得的研究成果。据我所知，除了文中特别加以标注和致谢的地方外，论文中不包含其他人已经发表或撰写过的研究成果，也不包含为获得或其他教育

2、机构的学位或证书而使用过的材料。与我一同工作的同志对本研究所做的任何贡献均已在论文中作了明确的说明并表示谢意。学位论文作者签名：签字日期：年月日学位论文版权使用授权书本学位论文作者完全了解江西师范大学研究生院有关保留、使用学位论文的规定，有权保留并向国家有关部门或机构送交论文的复印件和磁盘，允许论文被查阅和借阅。本人授权江西师范大学研究生院可以将学位论文的全部或部分内容编入有关数据库进行检索，可以采用影印、缩印或扫描等复制手段保存、汇编学位论文。学位论文作者签名：导师签名：签字日期：年月日签字日期：年月日II万方数据摘要大提琴在中国发展起

3、步比较晚，创作的作品相对来说也不像西方作品那么丰富，而张湧的这首大提琴独奏曲《路》是改革开放后的作品。由于创作时间等原因，了解的人也不多，相关的资料文献更是少之又少。本文主要从张湧的生平介绍以及创作背景入手，逐步从音乐作品本体的曲式结构、主题、织体、调式调性、演奏技法、以及情感把握等方面，加上自己在演奏实践中这首作品进行较为详细深入的分析。希望这是一篇较为接近作曲家创作意图，并且较为系统完整的著作。关键词：张湧大提琴中国作品音乐分析大提琴曲《路》I万方数据AbstractCelloinChinastartedrelativelylate,

4、workscreatedbyrelativelynotasrichastheWesternworks,andflockedthecellosolomusicisthereformandopeningupoftheroadworks.Duetoreasonssuchascreationtime,notmanypeopleknow,relateddataandliteraturearefewandfarbetween.Thepaperflockedbiographyandbackgroundfromthestart,graduallyfrom

5、themusicalworksofmusicalstructure,themes,textures,tonality,techniques,aswellasemotionalgrasp,coupledwithhisplayinpracticethispieceforamoredetailedandin-depthanalysis.Hopethisisareviewthatapproximatedthecomposerintended,andsystematicallycompleteworks.Keywords:Zhangyongcell

6、oChinamusiccompositionofinterpretationperformanceguidecellosong《theroad》II万方数据目录中文摘要„„„„„„„„„„„„„„„„„„„„„„„„„„„„„Ⅰ英文摘要„„„„„„„„„„„„„„„„„„„„„„„„„„„„„Ⅱ目录„„„„„„„„„„„„„„„„„„„„„„„„„„„„„Ⅲ引言„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„11张湧的生平介绍及创作景„„„„„„„„„„„„„„„„„„„„„„21.1张湧的生平介绍„„„„„„„„„„„„„„

7、„„„„„„„„„„21.2作品的创作背景„„„„„„„„„„„„„„„„„„„„„„„„22首部的音乐分析及演奏诠释„„„„„„„„„„„„„„„„„„„„„32.1音乐分析„„„„„„„„„„„„„„„„„„„„„„„„„„„32.1.1引子的音乐分析„„„„„„„„„„„„„„„„„„„„„32.1.2A段的音乐分析„„„„„„„„„„„„„„„„„„„„„„42.1.3B段的音乐分析„„„„„„„„„„„„„„„„„„„„„„52.2演奏诠释„„„„„„„„„„„„„„„„„„„„„„„„„„„62.2.1引子的演奏诠释„„„„„

8、„„„„„„„„„„„„„„„„62.2.2A段的演奏诠释„„„„„„„„„„„„„„„„„„„„„„72.2.3B段的演奏诠释„„„„„„„„„„„„„„„„„„„„„„73中部的音乐分析及