影响与重构--汪曾祺小说创作论

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1、目录中文摘要····················································································……····················································································……·····················································································

2、·····引言……第一章领异标新汪曾棋与外国现代主义文学······························……第一节西南联—大与汪曾祺现代意识的萌发滋长···························……·································第二节卞之琳等译介文学对汪曾祺的影响……第三节“纯小说”观念的理论思索··········································，··…第四节走在时尚前面一点先锋性的小说创作····················

3、····……—·············································第二章融入新质文学薪火的传承……第一节汪曾棋—与晚明文学······················································……第二节跨越时空的对接汪曾祺与归有光······························……—从鲁迅到············……第三节中国现代诗话小说的一脉相传汪曾祺第三章边缘叙事先锋文体的自觉实践—·······················

4、················……—··························，·········第一节语言游戏从工具论到本体论……第·—·同构·························································……二节情调客观··········································“”第三节童年视角下的另一种真实……第四章悲悯审视汪曾棋小说的悲剧思维形态······························……第一节悲剧意—识的

5、觉醒·························································……第“隐伏”的悲剧从沈从文到汪曾祺······························……二节—························第三节对立与均衡中西方文化影响下的悲剧观……—···························“”第五章重塑民间文学的启蒙传统的承传……—·······································“”第一节异质性民间写作立场的坚

6、守……第二节民间还原与生命意识的张扬··········································……第三节人文理想与民间意识的融合··········································……第四节民间·启蒙·现代性······················································……·························································结语汪曾棋的文学史意义……参考文献

7、·················································································……致谢·······················································································……攻读博··········································……士学位期间发表的学术论文目录山东大学博士学位论文中文摘要汪曾祺是个衔接现、当代的作家

8、，用钱理群先生的话说汪曾祺是个很难归。“”类的独特的小说家那么汪曾棋小说的异质性何在他在当代文学史的意义又是什，。么研究者们做了大量具体而扎实的研究工作取得了不小的成绩但研究热点多在其小说艺术审美风格的审视上，研究对象主要集中在其年代复出后的创作，对年代风格基本定型期与年代。评论界风格骤变期研究相对薄弱对其小说创作，