论《战国策》叙事艺术

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1、rI#€ffir&_UDCfiffiF10?36#;t,&tFii*.#afr*#,ffri,[Xryfrfr,*.yi&,ffiEmnmfF$#,fnk**'4Affi'ffiH#ffiW€:lt&f,5'FEffi{tX#fifffr,rtH,fr#ffiW.I#-.o-=sfi.Fl,硕士学位论文M.D.Thesis论《战国策》叙事艺术Theoryofthenarrativeartofzhanguoce郁丽丽YULILI西北师范大学NorthwestNormalUniversity目录摘要...............................................

2、................................................................................IAbstract...........................................................................................................................II绪论.................................................................................

3、..............................................1一、《战国策》叙事研究概述................................................................................1二、研究方法及意义................................................................................................3三、叙事学理论的发展........................................

4、....................................................5第一章《战国策》叙事视点研究.................................................................................8第一节《战国策》的叙事人..................................................................................8一、作者、叙事者、隐含作者........................................

5、.................................9二、公开叙事者与隐蔽叙事者.......................................................................12第二节叙述人的视角............................................................................................14一、第三人称叙述..................................................................

6、.........................14二、全知视角...................................................................................................16三、限知视角...................................................................................................18第三节《战国策》的叙事聚焦...........................................

7、.................................19一、《战国策》的聚焦点...............................................................................19第二章《战国策》叙事情景研究.............................................................................