当代审美意识和微电影的兴起

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1、万方数据ABSTRACTThecontemporaryaestheticconsciousnessnotonlyhasadaptedtothechangesinthenewera,butalsohasinheritedthetraditionalaestheticconsciousness．Thisinheritanceisreflectedinthetopicselection，narrativestructureandexpressionofmicrofilmalthoughmicrofil

2、mistheproductofpost—modernism．Microfilmisrichinconnotationdespiteofitsshortlength，whichembodiesthefeatureofgettingthebigpicturefromsmalldetails，avoidsthedirectexpressionfrominnerfeelingsbutadoptsasense-makingwaytoconveytheprofoundmeaningtotheaudience

3、，andfocusesonthelittlethingsaroundUStoreflectthesocialphenomenon．Influencedbypost—modemism，theindustrychainformandartisticfeaturesofrni．crofilmhaveshownthedeconstructionwayofthinkingofpost-modernism．Throughthedeconstructionofthetraditionalfilmfromfor

4、mtocontent，microfilmquestionsthemainstreamcultureandthespiritoftheera，andshowstherealvaluesinthiserabymeansofitsownway．TheerasurvivalanddevelopmentinTheEndofArtiStheproblemallformsofartneedtosolve，andasaresult，itisparticularlyimportantformicrofilmint

5、hisenvironmenttoestablishitsownconceptinordertogetbetterdevelopment．Themainpointsoftheanalysisinthispaperincludehowtogetridoftherestrictionsresultedfromadvertisements，howtoattracttheaudienceinashortfilmscreeningandhowtopersistinamorevaluabledevelopme

6、ntdirectionundertheerosionoftheconsumersociety．KeyWords：Microfilm，modemsenseofaesthetiCS，masscultureIV万方数据目次目次摘要⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．⋯⋯⋯⋯⋯⋯⋯⋯⋯．IAbstract．⋯⋯．⋯．⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．⋯⋯．III目次l绪论⋯．⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．．11．1研究的源起⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．．11．2研究现状综述⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯

7、⋯⋯⋯21．3研究内容及主要方法⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯42审美意识的当代转变⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．62．1审美意识的基本概念⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯62．2审美意识的当代转变⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯72．2．1信息化时代对审美自由的促进⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯92．2．2消费社会对审美意识的相对剥夺⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯113微电影的兴起及其特征与发展⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．143．1微电影的兴起与发展⋯⋯⋯⋯⋯⋯⋯⋯．⋯⋯⋯⋯⋯⋯．143．1．1微电影的兴起⋯⋯

8、⋯⋯⋯⋯⋯⋯⋯⋯⋯．⋯⋯⋯⋯143．1．2微电影的发展⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．163．2微电影的界定与特征⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．．173．2。l微电影的界定⋯⋯⋯⋯⋯⋯．⋯⋯⋯⋯⋯⋯⋯⋯⋯183．2．2微电影的基本特征⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯203．3微电影产业及相关赛事⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯243．3．1微电影产业⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯243．3．2微电影的相关赛事及其对微电影发展的影响⋯⋯⋯⋯⋯⋯．．254微电影与传统审美意识及其当代话语⋯⋯⋯⋯⋯⋯⋯⋯⋯