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1、ThispageintentionallyleftblankTheEarlyViolinandViola:APracticalGuideThispracticalguideisintendedforallviolinistsandviolaplayerswhowishtogive–ormerelytounderstandandappreciate–historicallyawareperformancesofearlymusicfortheirinstruments.Itcomprisesdiscus-sionoftheliterature,historyandrepertoryofthev
2、iolinandviola,themyriadrelevantprimarysourcesandtheirinterpretation,andthevariousaspectsofstyleandtechniquethatcombinetomakeupwell-grounded,periodperformances.Italsoconsidersvariousrelatedinstruments,con-tainspracticaladviceontheacquisitionofappropriateinstruments,andofferssuggestionsforfurtherreadi
3、ngandinvestigation.Manyoftheprin-ciplesoutlinedareputintopracticeincasestudiesofsixworkscomposedfromabout1700to1900,thecoreperiodwhichformsthisseries’princi-pal(thoughnotexclusive)focus.MusicbyCorelli,Bach,Haydn,Beethoven,MendelssohnandBrahmsisexaminedwithaviewtorecreat-ingperformancesasfaithfulasp
4、ossibletothecomposer’soriginalinten-tion.RSisaProfessorofMusicatCardiffUniversityofWalesandaprofessionalviolinistwhohaswrittenextensivelyonstringedinstrumentsandtheconventionsofperformingearlymusic.HeisauthorofViolinTechniqueandPerformancePracticeintheLateEighteenthandEarlyNineteenthCentur
5、ies(Cambridge,1985)andBeethoven:ViolinConcerto(Cambridge,1988)intheseriesCambridgeMusicHandbooks.HeisalsoeditorofPerformingBeethoven(Cambridge,1994),TheCambridgeCompaniontotheViolin(Cambridge,1992),TheCambridgeCompaniontotheCello(Cambridge,1999)andco-authorofTheHistoricalPerformanceofMusic:AnIntrod
6、uction(Cambridge,1999).CambridgeHandbookstotheHistoricalPerformanceofMusic:ColinLawsonandRobinStowellDuringthelastthreedecadeshistoricalperformancehasbecomepartofmainstreammusicallife.However,thereisasyetnoonesourcefromwhichperformersandstudentscanfindanoverviewofthesignificantissuesorg
7、leanpracticalinformationpertinenttoaparticularinstrument.Thisseriesofhandbooksguidesthemodernperformertowardstheinves-tigationandinterpretationofevidencefoundbothinearlyperformancetreatisesandinthemainstrea