【诱惑的艺术】中文版

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1、原著：罗伯·特格林译者：刘春芳搜集、整理：亦墨⽬录译序····························3前⾔····························7第⼀部谁是诱惑者····················17第⼀部第1章妖⼥··················19性感妖⼥·····················23特性解读·····················26危险性······················32第⼀部第2章浪⼦·················

2、·33狂热浪⼦·····················34魔⿁浪⼦·····················37特性解读·····················42危险性······················45第⼀部第3章梦中情⼈················46浪漫之梦·····················47美丽之梦·····················50特性解读·····················54危险性58第⼀部第4章幻性情⼈················

3、59特性解读·····················68危险性······················73第⼀部第5章天真情⼈················74天真情⼈的范例··················78危险性······················87第⼀部第6章挑逗者·················88特性解读·····················96危险性·····················1012第⼀部第7章魔⼒⼤师···············101魔法

4、魅术·····················102危险性······················114第⼀部第8章魅⼒领袖···············113历史典范·····················123危险性······················135第⼀部第9章⽓质明星···············139神话明星·····················142特性解读·····················146危险性······················150第

5、⼀部第10章反诱惑因素··············152反诱惑者类型⼤全·················152反诱惑者的典型··················156反诱惑特性的功⽤·················162第⼀部第11章诱惑对象18种············163对象概论·····················16418种诱惑对象··················165译序译完这本书，我想起两个有趣的故事来。⼀个是希腊英雄阿喀琉斯的故事。根据希腊神话，世上最美的⼥⼦海伦被帕⾥

6、斯劫⾛后，希腊英雄联合备战。阿喀琉斯不顾母亲的反对⽽参战。初战告捷后，他爱上⼀个容貌美丽的⼥俘。可是这个⼥俘却被主帅阿伽门农抢⾛了。阿喀琉斯⼀怒之下退出了战⽃，丝毫不理会⾃⼰军队的惨败及阿伽门农的请求。在阿喀琉斯的⼼中，爱情完全胜过了所应承担的责任。另⼀个是历史上三国英雄⼈物赵云（赵⼦龙）的故事。提及赵云，令⼈崇敬的地⽅不仅是他出众的武功，还有他⾯对⼥⾊时的毫不动⼼、坦坦荡荡。平定桂阳时，桂阳太守赵范被迫投降，之后与赵云结拜为兄3弟，并要把寡嫂樊⽒嫁给赵云。虽然樊⽒有着绝代姿容，但赵云却坚辞不受。

7、他认为⼀则赵范的⾏为可疑；⼆则已与赵范结为兄弟，其嫂嫂也应尊为嫂⼦，如此婚姻有违⼈伦。刘备知晓此事后，也认为是美事，竭⼒促成，但赵云依然坚决拒绝。在赵云的价值天平上，爱情与责任相⽐如同草芥。于是刘备赞他：“⼦龙真丈夫也！”对这种“真丈夫”的推崇其实体现在许多⼈物中，⽐如⾯对曹操所赐⼗名美⼥皆不动⼼的关⽻，更有⾯对潘⾦莲的引诱毫⽆感觉的武松。从上⾯的故事中我们可以看出中西⽅⼈对待爱情的巨⼤差异。在西⽅传统中，⼈们直⾯情感，甚⾄努⼒张扬情感。这本书中就介绍了⼀些为了美⼈⽽丢弃江⼭的故事。⽐如凯撒是⼀代

8、英豪，却因为他与克莉奥帕特拉之间的恋情成就了他有⾎有⾁的多情男⼉形象；拿破仑威名赫赫，也因他与约瑟芬皇后的爱情⽽让⼈扼腕唏嘘。相⽐起来，中国的传统⽂化则对情感采取压抑或是逃避的态度，只有那种坐怀不乱、⾯对情感毫不动⼼的⼈才被称为“真男⼉”、“⼤丈夫”，⽽这种“⼤丈夫”的光环下似乎缺少了⼀些活⽣⽣的⾎性意识。众所周知，中西⽅这两种不同的⽂化传统各有优长。我们的⽂化内敛⽽凝重，⽐起西⽅⽂化更加持重深刻，富有内涵。然⽽，在改⾰开放的今天，对于西⽅的⽂化形态与思维模式我们⾃然有了解的必要。