当代工笔人物画的形式特征分析

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1、当代工笔人物画的形式特征研究（二）、淡化用线„„„„„„„„„„„„„„„„„„„„„„„„28（三）、色彩的感知性„„„„„„„„„„„„„„„„„„„„„„29（四）、打破传统规律的构图„„„„„„„„„„„„„„„„„„„31第四章构建当代工笔人物画的绘画形式特征„„„„„„„„„„„„„„34一、由当代工笔人物画的演变而引发的种种问题„„„„„„„„„„„34（一）对写实风格的盲目追求„„„„„„„„„„„„„„„„„„„34（二）过分注重材料的使用和肌理的表现„„„„„„„„„„„„„„35（三）当代

2、工笔画家对文化修养的忽视„„„„„„„„„„„„„„„36二、从张见工笔人物画看绘画形式特征的个性化„„„„„„„„„„„36三、我的工笔人物画创作体会„„„„„„„„„„„„„„„„„„39结论„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„41注释„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„42参考文献„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„43致谢„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„45附录A（攻读学位期间所发表的学术论文及参加

3、的画展„„„„„„„„„„46中南民族大学硕士学位论文摘要中国工笔人物画的绘画形式特征主要包括造型、线条、色彩与构图等方面，这是区别于其他画种的主要标志。工笔人物画是中国传统绘画的珍宝，用笔工整，刻画细致，色彩典雅，以独特的形式美成为中国传统绘画中历史最悠久的画种之一。受中国传统哲学思想的影响，中国工笔人物画主要有两大特点，即以线造型和意向表现。线的作用是高度概括和提炼物象的形体结构，是中国画最基本的表现语言，同时也是最具民族特征的。而意向表现又有两层不同的含义：一是画家对作品的感情投入，另一层含义则是引发人的

4、无限遐想的，是工笔画隐含的一种寓意。由于西方写实风格的影响以及人们审美意识的转变，工笔人物画在现代形成了不同于传统绘画的形式特征。当代工笔人物画的形式特征首先体现在以线写形（即线性描写），线在工笔人物画中具有骨架的作用。由于线的间隔与造型单纯因素的影响，则构成了当代工笔人物画形式特征的第二个特点，即色彩的表现性。构成上的平面装饰性则是当代工笔人物画形式特征的第三个特点。工笔人物画的现代进程在今天的文化发展中更为重要，将使中国工笔人物画再次焕发出她的勃勃生机。当代工笔人物画创作应该主动、自觉地切入时代文化的主流话

5、语，成为体现当代民族精神的标志。对工笔人物画的形式特征研究，一些学者的论述中已有所涉及，但是专门的、系统的研究却很少，而且是对形式语言和形式美的研究较多，对形式特征的研究较少。尤其是工笔人物画不同形式特征形成的原因以及传承和发展都没有较详细的研究。本文在梳理前人研究成果的基础上，着重从工笔人物画形式特征的演变角度，通过对比传统与当代工笔人物画形式特征的异同，分析当代工笔人物画在对传统工笔人物画继承的基础上形式特征形成的条件，进一步讨论其在当代工笔人物画家作品中的体现与发展，并对当代工笔人物画的发展现状作进一步的

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